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Wet weather failed to dampen a well-planned visit to Olympic National Park

In Equipment & Technique, Landscapes, ND Filters, Portraits, Scenes & Scenarios by Marco Crupi

The next day, I met up with Dustin, a photographer buddy of mine from the Sacramento area. We jumped on the Bainbridge Ferry and headed to the Port Angeles and Olympic National Park area. Driving from the ferry to Second Beach in a heavy downpour, I wasn’t at all confident that I could capture any images. From the parking lot, we hiked about a mile through mud, rain and flimsy wooden bridges to reach Second Beach. What a sight! As …

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Capturing a number of well-earned images of the residents of Salisbury Plain

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Wildlife by Jon Cornforth

I can not adequately describe how mind-blowing my visit was with these adorable king penguins. After spending a week sailing in horrendous seas with terrible weather, I finally arrived at my dream photography destination. Upon landing, most of the king penguins were somewhat skittish, but these guys walked right up to greet me! Oh, boy. It was cold, too. The fresh snow on the normally rocky beach, however, helped make this already dramatic scene even more photogenic. In order to photograph this spectacle, I …

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Adventures in Costa Rica’s rain and cloud forests

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Portraits, Scenes & Scenarios by Fabrizio Tessaro

What would be different about this particular trip, was that — despite the incredible photographic opportunities presented by Costa Rica’s vast biodiversity of wildlife — my focus would be on capturing landscapes of the rain and cloud forests of Monteverde. Our journey would also include a brief jaunt into the northern tropical dry forest area of Guanacaste and Santa Rosa National Park. Finding strong compositions within the tropical rain and cloud forests is challenging. Simply put, these forests are busy. There …

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Iceland’s Jokulsarlon Glacial Lagoon

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by E.J. Peiker

As I was packing for my trip to Iceland last winter, I decided at the very last second to include my Singh-Ray Vari-ND. I thought that maybe it would come in handy on some waterfalls. One of the major highlights of any trip to Iceland is visiting the magnificent Glacial Lagoon called Jokulsarlon on the southeastern shores of this island nation. This is an area where Europe’s largest Glacier, Vatnajokul, has an arm that extends toward the North Atlantic and …

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Report on shooting ‘volcano-scapes’ in South Africa’s Pilanberg National Park

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Mario Fazekas

Pilanesberg is a ‘super-seven’ park meaning that it has the ‘big-five’ animals (buffalo, elephant, leopard, lion, and rhino) plus cheetah and wild dogs, making up the seven animals most visitors want to see and photograph, but I have found this park to also be a prime spot for shooting landscapes — or what I call volcano-scapes. The park is situated on the remains of an extinct volcano that was active just a few thousand years ago. Unlike the Ngorongoro Crater …

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Showing how the right timing, tools and technique can capture the image perfectly

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Adam Barker

At its very root, photography is a beautifully simple way for us to share our unique vision with the world. It’s an extension of our eyes and creative minds. Yet sometimes we lose sight of all this amidst the incessant buzz of tech talk, one-upsmanship and armchair quarterbacking. Let us never forget that photography is a creative process that can and should open people’s eyes to new locations, new cultures, new experiences, and new ways of seeing this exciting world …

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An unexpected chance to visit Hawaii proves to be a lifetime experience

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Steve Kossack

The wonderful thing about life is that we never know! We create this crazy illusion that we control our lives, yet when I think about it, I realize how little is planned and how much is serendipity. In my quest to see and photograph in all the National Parks, I find myself still twenty-one parks short. Out of the fifty-eight locations that carry the N.P. designation, I’ve now visited thirty-seven. The Hawaiian Islands is about the last place I expected …

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Leading two workshops to Utah for a great adventure in fall colors and amazing scenery

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Don Smith

Each of the workshops, lasted five days with a two-day private excursion with two friends tagged onto the end. Needless to say, it was a long steady pace with very little sleep. I left California on October 25 with my co-instructor Scott Schilling. We took an early morning flight from San Jose, California to Las Vegas, Nevada, and then drove another 8 hours to Moab, Utah — which would be home base for my Arches/Canyonlands Workshop. I like to time …

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Finding the Singh-Ray Filters even more useful

In Equipment & Technique, ND Filters, Scenes & Scenarios by Bob Krist

One reason I’ve survived for over 35 years in the competitive world of freelance photography is my ability to read the writing on the wall. It’s just an awareness to cues about impending change that are given by the marketplace, cues that many will ignore. For example, I used to do a lot of photography for corporate annual reports. Before the internet, a publicly-owned company presented its face to the investing community with a glossy annual magazine-like publication that stated …

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Covering the scenic western United States in a very big way

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Dennis Frates

I try to visit new places each year, I will revisit a place many times, however, if I feel I can pull out an image that is different from what I already have. I usually stay for a period of three to ten days or more. It depends on the number of image opportunities I expect to find and the distance I will need to travel. Even if the potential of a place looks bleak when I arrive, I almost always …