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Capturing the Ice and Fire of Icelandic sunsets

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Edwin Martinez

One of the most sought after locations for both travel and landscape photographers is Iceland — the land of ice and fire. Iceland is a Nordic island country bordered by the Atlantic and Arctic Oceans, plus the island is geologically active with many volcanoes, so the weather varies between different parts of the island. Generally, the south coast is warmer, wetter and windier than the north, and the central highlands are the coldest. As a veteran photographer from a tropical …

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Taking the new Mor-Slo 15-stop ND Filter for an initial test shot

In Corporate/Commercial, Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brian Rueb

I would go as far as to say it saved my trip! The way the 10-stop neutral density filter expanded my creativity was beyond my expectations. I love this filter, but imagine my surprise when I came home one day and saw the 15-stop Mor-Slo filter sitting there on my counter (insert exploding head noises here). As soon as I saw THIS little gem, I was eager to find the time to get out and play with it. When I’m …

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Using the Mor-Slo 10-stop in Scotland

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brian Rueb

Barren, rocky, mountains floating in the mist, the ruins of historic castles, and rugged coastlines — I wanted to see it all. Once I began my career in landscape photography, it wasn’t a matter of if I would finally make it to Scotland… only when. This past summer, after a couple marvelous weeks in Iceland, my travels took me to Scotland to spend three weeks scouting for upcoming Aperture Academy workshops. I had done my research, and spent months on-line …

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I-Ray Filter shoots serious infrared images without destroying the Nikon D-800

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, Scenes & Scenarios by Tom Bol

If you have opened a photography magazine lately, chances are you have seen an infrared (IR) image in one form or another, IR photography has seen a recent resurgence of popularity, largely because digital IR is so much easier than the notoriously tricky handling, shooting, and processing of traditional IR film. I do have to admit I like the look for certain scenes. But here is the catch. You have to convert one of your expensive digital SLRs to shoot …

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Field report on Singh Ray’s incredible 15-stop Mor-Slo ND

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Tony Sweet

After several chats with Bob Singh about my need for such a filter, I was really pleased to receive one that I could test. There’s just one word to describe this filter — Wow! Less than a year after Singh-Ray’s introduction of the 10-stop Mor-Slo ND filter, here comes another technical breakthrough for all of us who work in Long-exposure Land. Many more logical photographers might ask why Singh-Ray’s 5-stop and 10-stop Mor-Slo filters are not enough? Why can’t we just …

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Visiting Denali National Park at just the right time to join the 30 percent club

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Special Events by Steve Kossack

Not since my 45 RPM record collection dominated my life during the 50’s and 60’s have I been as interested in gathering information and experiencing a subject in as much detail as I now give to our National Parks system. The parks and the landscapes they present were the reason I returned to school in the 80’s to learn the art of photography, but I had no idea I would spend so much time in them. The green of the …

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Recording the dramatic beauty found along the North Shore of Lake Superior

In Black & White, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Alec Johnson

My favorite combination of on-camera filters starts with the 10-Stop Mor-Slo ND filter on my Canon 24-70mm f/2.8 lens. This is a very sharp lens. I add the Gold-N-Blue on top of that, and then use some combination of 4×6 Graduated ND filters. My favorite is the Reverse ND Grad. Sometimes I just need the Gold N-Blue Polarizer, which was used in the above panorama from the Temperance River, about a mile above Lake Superior. This next image was shot …

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Experience the world through the eyes of an eight-year old

In Landscapes, Portraits, Scenes & Scenarios, Wildlife by Jay Goodrich

I believe there are very few creatures on this planet more majestic and powerful than the Alaskan Brown Bear. Most either fear it or think of it as a cute and cuddly being akin to the Teddy Bear. After being allowed to visit with them many times, I believe they are creatures that transcend both sides of that spectrum. This animal possesses great power to defend itself while simultaneously displaying great care for its young. The last few summers I …

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Never be caught without Your Graduated ND Filters

In Corporate/Commercial, Equipment & Technique, Landscapes, ND Filters, Portraits, Scenes & Scenarios by Adam Barker

Several weeks ago, I left my house in a hurry in hopes of capturing some late-light images up a local canyon here. Don’t you fret—I was fully clothed! I arrived at the location and began setting up my equipment. Suddenly I was flabbergasted to realize I’d forgotten my filter pouch. All of a sudden, I felt incredibly naked. No…worse. I felt…powerless. Not a good feeling. Sure, there are a few alternative techniques to simulate some effects of filters out there; …

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Strive to make fine art landscapes that are a lot more than realistic

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Don Smith

When Don Smith switched from a 20-year career as sports photographer to dedicate himself to landscape photography, he adopted the philosophy that fine art images should do more than simply recreate reality. “The major theme in my workshops is the importance of seeing the finished image in my mind as I click the shutter. As Ansel Adams used to teach, we need to go on and visualize the finished image in our mind while we’re composing the scene in our …