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I-Ray Filter shoots serious infrared images without destroying the Nikon D-800

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, Scenes & Scenarios by Tom Bol

If you have opened a photography magazine lately, chances are you have seen an infrared (IR) image in one form or another, IR photography has seen a recent resurgence of popularity, largely because digital IR is so much easier than the notoriously tricky handling, shooting, and processing of traditional IR film. I do have to admit I like the look for certain scenes. But here is the catch. You have to convert one of your expensive digital SLRs to shoot …

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Field report on Singh Ray’s incredible 15-stop Mor-Slo ND

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Tony Sweet

After several chats with Bob Singh about my need for such a filter, I was really pleased to receive one that I could test. There’s just one word to describe this filter — Wow! Less than a year after Singh-Ray’s introduction of the 10-stop Mor-Slo ND filter, here comes another technical breakthrough for all of us who work in Long-exposure Land. Many more logical photographers might ask why Singh-Ray’s 5-stop and 10-stop Mor-Slo filters are not enough? Why can’t we just …

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Visiting Denali National Park at just the right time to join the 30 percent club

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Special Events by Steve Kossack

Not since my 45 RPM record collection dominated my life during the 50’s and 60’s have I been as interested in gathering information and experiencing a subject in as much detail as I now give to our National Parks system. The parks and the landscapes they present were the reason I returned to school in the 80’s to learn the art of photography, but I had no idea I would spend so much time in them. The green of the …

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Recording the dramatic beauty found along the North Shore of Lake Superior

In Black & White, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Alec Johnson

My favorite combination of on-camera filters starts with the 10-Stop Mor-Slo ND filter on my Canon 24-70mm f/2.8 lens. This is a very sharp lens. I add the Gold-N-Blue on top of that, and then use some combination of 4×6 Graduated ND filters. My favorite is the Reverse ND Grad. Sometimes I just need the Gold N-Blue Polarizer, which was used in the above panorama from the Temperance River, about a mile above Lake Superior. This next image was shot …

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Never be caught without Your Graduated ND Filters

In Corporate/Commercial, Equipment & Technique, Landscapes, ND Filters, Portraits, Scenes & Scenarios by Adam Barker

Several weeks ago, I left my house in a hurry in hopes of capturing some late-light images up a local canyon here. Don’t you fret—I was fully clothed! I arrived at the location and began setting up my equipment. Suddenly I was flabbergasted to realize I’d forgotten my filter pouch. All of a sudden, I felt incredibly naked. No…worse. I felt…powerless. Not a good feeling. Sure, there are a few alternative techniques to simulate some effects of filters out there; …

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Strive to make fine art landscapes that are a lot more than realistic

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Don Smith

When Don Smith switched from a 20-year career as sports photographer to dedicate himself to landscape photography, he adopted the philosophy that fine art images should do more than simply recreate reality. “The major theme in my workshops is the importance of seeing the finished image in my mind as I click the shutter. As Ansel Adams used to teach, we need to go on and visualize the finished image in our mind while we’re composing the scene in our …

Scott Fisher’s very brief trip to Iceland was nevertheless rewarding

In Landscapes, Scenes & Scenarios by Sean Widker

As a professional video producer/editor based in Boston, Scott Fisher has also taken on landscape photography as a serious hobby to help him learn more about framing and exposure. “I realized a few years ago how using filters would step up my game as a landscape photographer. I have always used neutral density filters in my video work so I was a bit embarrassed that it took me so long to start using them in my still photography. “I currently …

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Capturing landscape images with tilt-shift lenses and ND Grads

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Derrald Farnsworth-Livingston

As I’ve matured my photographic techniques, I have gravitated to Canon’s line of tilt/shift lenses. These lenses afford me the sharpness and detail that I’m looking for when I’m capturing landscapes that I want enlarged to the fullest extent. Besides tilting these lenses to maximize focus, I also employ the shift to capture three images and then stitch them in Photoshop. This combination allows me the very detailed, large files that I need for my work. Of course, since image …

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Going to Olympic National Park and braving the threat of vampires, werewolves and heavy rainfall

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Brian Rueb

From the time I started taking landscape images, there’s been something mysteriously drawing me to Olympic National Park, but it wasn’t the vampires and werewolves described in the Twilight books. The rugged Washington coastline with its craggy sea stacks and rough seas looked like just the place to make dramatic images. The only issue was the weather. When author Stephenie Meyer wrote the Twilight books, she picked the part of the lower 48 states with the highest annual rainfall. She …

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Trip to Iceland proved to be a rich and inspiring experience

In Black & White, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features by Thierry Resin

I have taken photo trips in Europe and the Mediterranean, but the biggest step yet has been my recent trip to Iceland. That had been a “dream” destination for a long time. The dream came true in June 2012. My goal for this trip was to explore the south coast, a part of the highlands and, if possible, the west peninsula. I had ten days there and the program was dependent on the weather. It turned out we were lucky …