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Explaining how I create colorful images at twilight with the Gold-N-Blue Polarizer

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Kevin McNeal

Once the sun drops below the horizon, many photographers pack up their gear and go home. However, for those of us who have a Gold-N-Blue handy, twilight can present some great opportunities to capture a most magical light. Unfortunately, the color that presents itself during these twilight hours is often not long enough, nor strong enough, to permit us to photograph for very long. For me, this is where the Gold-N-Blue pays off. During twilight, the Gold-N-Blue dramatically increases the …

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Running into a scene that’s got everything except good light, Time for Plan B

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Jeff Bartelt

I often find wonderful compositions that prompt me to set up my camera and then wait for better light. And then wait some more. Sometimes it’s the weather that isn’t quite right, but just as often it’s the color or quality of the light that isn’t working for me. Every serious photographer has experienced the frustration of spending a lot of time and treasure pursuing an exciting image that’s just not happening the way we visualized it. Or maybe we’ve …

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Capturing this dreamy image of Allegheny State Park at first light with the Vari-N-Duo

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Michael Bielat

I proposed to my wife there and we have been taking our children there every chance we get. Because I am very busy with my photo business, Allegheny Park is our place to wind down and enjoy life. Do I still bring my camera along? Absolutely! I make sure to pack light. My travel kit includes a Nikon D700 full-frame D-SLR, 24-70mm f/2.8 and my 70-200mm f/2.8 VR, tripod and my Singh-Ray filters. I use a couple of Graduated Neutral …

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Feeling fortunate to photograph the rocky coast of Maine any day of the year

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Fred Weymouth

Living on the rugged coast of Maine provides a nearly endless coastline dotted with thousands of islands, inlets, and waterways to be explored and photographed in every season of the year. How could any serious outdoor photographer wish for more? But there is plenty more to appreciate about the Maine Coast… like the four distinct seasons we have. Each brings its own weather, its own colors, and its own nature. Winters can be harsh — freezing cold and wet. Spring …

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Enjoying the use of the Vari-N-Trio for shallow-focus imaging in bright daylight

In Equipment & Technique, Landscapes, Scenes & Scenarios by Ryan Marko

Photography allows me to get out of the office and into the fresh air. I enjoy photography as a way to capture outdoor images that are simple, yet rich with natural beauty and color. I recently purchased a used Canon 5D along with the 24-70mm f/2.8 Canon zoom lens. I have found that taking good pictures at mid-day when the sun is out in full force is very difficult, especially when I want to use a very shallow depth of …

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Visiting Joshua Tree National Park to commune with the ancient boulders

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Cole Thompson

It was the first time I had visited since 1987 when my wife and I went camping there. Coincidentally, our trip occurred right after U2 had introduced their new album “Joshua Tree,” and I remember listening to it non-stop as we sunned ourselves on the large round boulders at the park. The music and that location are positively and indelibly intertwined in my memory. Each time I hear those songs, I am transported back in time. So it was with …

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Discovering the pleasures of shooting skyscapes

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Mario Fazekas

I have specialized in wildlife photography since 1995 and focused primarily on the ‘big-five’ African animals. Then recently I realized there are so many great landscape photographs yet to be captured everywhere we go. As a result, I bought a polarizer and some ND grads from a popular filter company, but I was never pleased with the results. Seeing some of Darwin Wiggett’s photographs was the turning point for me — I saw that he uses Singh-Ray filters, so I …

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To capture the most dramatic lighting effects at sunrise and sunset, aim right for the sun

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Greg Miller

This area is my home and my part of the natural world, and I never feel a lack of impressive subjects. Perhaps my favorite subject is the sun itself, especially when I’m shooting at sunrise or sunset. I love to shoot directly at the sun to achieve dramatic lighting effects. I’ve found that two kinds of Singh-Ray filters are essential for such photos — my Galen Rowell ND Grads and my LB Neutral Polarizer. Whenever I’m shooting at the sun …

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Disguised as a wandering landscape photographer to capture New York City

In Action Shots, City/Urban, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Sean Widker

Los Angeles, It was a big sprawling city even in those days. One block looked like the next. I don’t have any photography to speak of from those days because I always felt that nature was elsewhere. I’ve never looked back and, through my photographic travels and workshops, I’ve been treated to some of the most beautiful and scenic locations imaginable. The National and State parks throughout the American West are my home and photographic focus. Nevertheless, I recently had …

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Tracing the Silver Bay landscape image from pre-visualization to post production

In Black & White, Corporate/Commercial, Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Alec Johnson

I thought I would offer a basic case study explanation of how this image of Silver Bay was created from the pre-visualization stage to the final post production steps. My basic motivation to create this image was to test an idea that’s reflected in many landscape photographers’ work. I’m referring to the idea that the photographer can control where the eye of a viewer first enters the image and the path that the eye follows while looking at the image. …