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Using the Mor-Slo 10-stop in Scotland

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brian Rueb

Barren, rocky, mountains floating in the mist, the ruins of historic castles, and rugged coastlines — I wanted to see it all. Once I began my career in landscape photography, it wasn’t a matter of if I would finally make it to Scotland… only when. This past summer, after a couple marvelous weeks in Iceland, my travels took me to Scotland to spend three weeks scouting for upcoming Aperture Academy workshops. I had done my research, and spent months on-line …

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Recording the dramatic beauty found along the North Shore of Lake Superior

In Black & White, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Alec Johnson

My favorite combination of on-camera filters starts with the 10-Stop Mor-Slo ND filter on my Canon 24-70mm f/2.8 lens. This is a very sharp lens. I add the Gold-N-Blue on top of that, and then use some combination of 4×6 Graduated ND filters. My favorite is the Reverse ND Grad. Sometimes I just need the Gold N-Blue Polarizer, which was used in the above panorama from the Temperance River, about a mile above Lake Superior. This next image was shot …

Scott Fisher’s very brief trip to Iceland was nevertheless rewarding

In Landscapes, Scenes & Scenarios by Sean Widker

As a professional video producer/editor based in Boston, Scott Fisher has also taken on landscape photography as a serious hobby to help him learn more about framing and exposure. “I realized a few years ago how using filters would step up my game as a landscape photographer. I have always used neutral density filters in my video work so I was a bit embarrassed that it took me so long to start using them in my still photography. “I currently …

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Tony Sweet demonstrates the use of three Singh-Ray filters he describes as essential to his art

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Tony Sweet

In a time when many photographers believe that hardware filters are passé, there are still three types of filters that I use as often as I did back when I was a film photographer: the solid neutral density filter, the infrared filter (used on my unconverted cameras), and the always important graduated ‘split’ neutral density filters. Let’s start with the Solid Neutral Density filter I’m now using. It’s the new 10-Stop Mor-Slo ND filter from Singh-Ray. Extremely long exposures cannot …

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Going to Olympic National Park and braving the threat of vampires, werewolves and heavy rainfall

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Brian Rueb

From the time I started taking landscape images, there’s been something mysteriously drawing me to Olympic National Park, but it wasn’t the vampires and werewolves described in the Twilight books. The rugged Washington coastline with its craggy sea stacks and rough seas looked like just the place to make dramatic images. The only issue was the weather. When author Stephenie Meyer wrote the Twilight books, she picked the part of the lower 48 states with the highest annual rainfall. She …

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Discussing what I’ve learned from previous trips

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Brian Rueb

As I prepare for my fourth trip to Iceland — the third time I will be serving as a guide for other photographers — I’ve given a lot of thought to what I’ve learned to this point. I can also draw upon my previous experience leading workshops to almost every corner of this country. I’ve spent some time considering how I might improve on the way I shot these locations before, and how I’ll guide the other photographers to do …

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Kevin McNeal uses his Mor-Slo 10-Stop ND to create more radiant images during the magic hours

In Equipment & Technique, Scenes & Scenarios by Kevin McNeal

Among the many professional outdoor photographers who have greeted Singh-Ray’s Mor-Slo 10-stop ND filter is Kevin McNeal. It didn’t take him long to try the filter and send us this helpful report on using the filter during the “magic hours” around sunrise and sunset. “For me, one of the most challenging tasks in landscape photography,” says Kevin, “is shooting long exposures during the periods of sunrise and sunset when the sun is brightly visible. Over the years I have gotten …

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Using the Singh-Ray ColorCombo with ND Grads to control the complete picture

In Landscapes, ND Filters, Polarizing Filters by Dave Hutchison

When I realized I’m living in one of the world’s most scenic areas. I am now striving to promote nature conservation through my outdoor photography, and I am also discovering the benefits of using Singh-Ray filters for optimum results when shooting landscapes. I first discovered the importance of using Singh-Ray Graduated ND filters (ND Grads) to produce landscape images with just the right balance between nature’s bright skies and shadowy foregrounds. More recently, I’ve discovered that my Singh-Ray LB ColorCombo is equally …

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Explaining the very important advantages of the Singh-Ray LB Polarizer

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Kevin McNeal

For the most part, the students don’t exactly know what a polarizer does so they’re not at all sure when to use it. I start by explaining that Singh-Ray offers four different polarizers; two ‘standard’ types, the LB Warming Polarizer and LB Neutral, as well as the Gold-N-Blue and ColorCombo Polarizers. (Each of these filters is fully described on the Singh-Ray website.) Since my personal choice for about 85% of my images is the ColorCombo, that’s the filter I demonstrate …

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Wet weather failed to dampen a well-planned visit to Olympic National Park

In Equipment & Technique, Landscapes, ND Filters, Portraits, Scenes & Scenarios by Marco Crupi

The next day, I met up with Dustin, a photographer buddy of mine from the Sacramento area. We jumped on the Bainbridge Ferry and headed to the Port Angeles and Olympic National Park area. Driving from the ferry to Second Beach in a heavy downpour, I wasn’t at all confident that I could capture any images. From the parking lot, we hiked about a mile through mud, rain and flimsy wooden bridges to reach Second Beach. What a sight! As …