If you have thumbed through the pages of a photo magazine recently, chances are good you have seen the stunning effects created by ND filters. My palms start sweating when I see puffy clouds streaking across the sky. I know these clouds will look magical when I shoot at slow shutter speeds from 1-4 minutes using my 10- and 15-stop Singh-Ray Mor-Slo ND filters. Honestly, I look at clouds differently now knowing what transformative effects I can create using these filters. …
Working with a Polarizer in Namibia
Light isnât always light. We often have those times when the light is pouring through the particulate matter of an urban landscape, the âstuffâ in the air warping the air molecules into a huge âsoft box.â Those early and late âgolden hourâ moments provide that magical light all photographers love to find â and use. Sometimes however, the light provided is less than perfect, or the sky hovering over the landscape is too âblown outâ (too bright to be able …
Is There a Perfect Aperture for Landscape Photography?
The sun sets into Pacific Ocean fog as seen from Fremont Peak State Park, elevation 3,169 feet, Gabilan Mountain Range, California. Sony a7RII, Canon 11-24mm, f/16, 1/4th, 100 ISO. How often do you think about your aperture choice? There is an old saying amongst photojournalists: F/8 and be there! Many amateur landscape photographers seem to think f/16 is the popular choice. If one thinks about maximizing depth-of-field, then their thinking is correct. But when should one use f/22? Is that …
Random thoughts….
Ramblings from the White Mountains Just wrapped up a photography/camping trip to the White Mountains of New Hampshire – and spent a lot of time roaming the White Mountains in exploration of the abundant photo opportunities. They are spread out, but so are many of the iconic areas, so this was nothing new to us. There were numerous waterfalls in the area and, if you head down to the Lakes Region, youâll find countless lakes and reflections. I have two …
“All-in-camera, old school photography” with digital cameras, Part 3
In this third installment, I’d like to drill down further into the âDigital Rolls of Filmâ process that I rely on, show you a few images and explain the filters and settings I used to create each image entirely in the camera – with less than one minute each of post-processing time! Silver Falls in Golden and Silver Falls State Natural Area in Oregon. F/22 @ 1 sec. -1 stop Exposure Compensation, ISO 50, 67mm with Singh-Ray LB Circular Warming Polarizer. …
Some tips and techniques from the “Last Frontier”
Editor’s note: We are pleased to welcome Jeff Schultz to our blog. Jeff has lived in Alaska for close to 40 years and conducts workshops and custom tours to many of his favorite locations throughout the state. Canon 5D Mark III with 16-35mm f4 lens at 19mm, f9 for 4 minutes ISO 400. Singh-Ray Mor-Slo 10-stop ND Filter and 3-stop, Hard-edge Galen Rowell ND Grad. Filter It! Being an old-school film photographer, I’ve always maintained that making the image the best I …
When the great becomes commonplace
I remember years ago, after submitting images for an article, a phone call from my editor. âPlease⌠no more slot canyon shots. PleaseâŚ.â I was disappointed, but I understood. For several years after the slots got âdiscoveredâ by people with their new DSLRs, slot canyon and desert southwest images were all over the internet. Thatâs when the handwriting was on the wall, from what I could see. Images that were previously inaccessible to all but the most dedicated photographers and requiring specific, finely …
Tips For Better Wildflower Images â Part 2
Tip #6 â Auto ISO Most new digital cameras are now offering Auto ISO. I find, when photographing wildflowers and fighting a relentless breeze, that this feature can save the day and really allow me to concentrate on my composition. I first tried this feature last March in the hills of southern Washington. I was working on a sunset shoot with some Balsamroot and Lupine. I had envisioned catching a sun star as the sun lowered on a nearby hill. …
Tips For Better Wildflower Images â Part 1
Editor’s note: It’s flower time in many parts of the world now, so we thought these tips from Don Smith might be helpful – here is part one. Don’s essential tools for shooting wildflowers include his Singh-Ray warming and neutral polarizers. Many photographers also choose our ColorCombo Polarizer for flowers. One way or the other, a polarizer is a must-have creative tool for this type of photography. Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/30th ISO 800. Spring is in full bloom and …
Capturing the image you envision
Photographers now have more powerful tools available to them than ever before. Exciting new sensor technologies already up to 50+ megapixels. Lenses that can resolve the finest detail. Huge advances in the digital darkroom, such as the ability to easily blend multiple images using luminosity masks. With all these advances, where do filters fit in? In my photo tours and workshops I often hear âI can do that later in Photoshop.â Photoshop is certainly a powerful tool, but it canât …