View Post

Capturing the image you envision

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Michael Kish

Photographers now have more powerful tools available to them than ever before. Exciting new sensor technologies already up to 50+ megapixels. Lenses that can resolve the finest detail. Huge advances in the digital darkroom, such as the ability to easily blend multiple images using luminosity masks. With all these advances, where do filters fit in? In my photo tours and workshops I often hear “I can do that later in Photoshop.” Photoshop is certainly a powerful tool, but it can’t …

View Post

Capturing a special moment at the Taj Mahal

In City/Urban, ND Filters, Polarizing Filters, Scenes & Scenarios, UV Filters by Jay Dickman

The Taj Mahal was built in 1631 by Shah Jahan, as a testament to the love he felt for his wife, Mumtaz Mahal who died giving birth to their 14th child, Gauhara Begum. The ivory-white marble mausoleum is built in a combination of Persian and Mughal architecture. The tomb contains both the false sarcophagi in the main chamber, as well as the actual tombs of Mumtaz Hahal and Shah Jahan, which are in a lower level of the building. The …

View Post

Shooting the beauty of Kauai Island from a helicopter, Capturing a more revealing perspective

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Adam Barker

Kauai is the oldest of the four main Hawaiian Islands and it is, without a doubt, one of the most beautiful and charming places I’ve ever been. During a recent anniversary trip to Kauai with my wife, I made a half-hearted commitment to keep the camera out of the way for the most part (much easier said than done in such a beautiful part of the world!). To not shoot from the helicopter, however, was never an option. If you’ve …

View Post

Capturing the Ice and Fire of Icelandic sunsets

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Edwin Martinez

One of the most sought after locations for both travel and landscape photographers is Iceland — the land of ice and fire. Iceland is a Nordic island country bordered by the Atlantic and Arctic Oceans, plus the island is geologically active with many volcanoes, so the weather varies between different parts of the island. Generally, the south coast is warmer, wetter and windier than the north, and the central highlands are the coldest. As a veteran photographer from a tropical …

View Post

Capturing landscape images with tilt-shift lenses and ND Grads

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Derrald Farnsworth-Livingston

As I’ve matured my photographic techniques, I have gravitated to Canon’s line of tilt/shift lenses. These lenses afford me the sharpness and detail that I’m looking for when I’m capturing landscapes that I want enlarged to the fullest extent. Besides tilting these lenses to maximize focus, I also employ the shift to capture three images and then stitch them in Photoshop. This combination allows me the very detailed, large files that I need for my work. Of course, since image …

View Post

Capturing the alpine drama with two Singh-Ray filters

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features by Russ Bishop

During that time I’ve gone through more than a few cameras and lenses, transitioned from film to digital, and mastered the digital darkroom. Through it all my vision has been the common thread driven by my passion for the natural landscape — and during that time, Singh-Ray Filters have played a significant role in helping me translate and preserve my unique view of the outdoor world. For example, the image above, which was made in Dusy Basin, Kings Canyon National …

View Post

Capturing a number of well-earned images of the residents of Salisbury Plain

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Wildlife by Jon Cornforth

I can not adequately describe how mind-blowing my visit was with these adorable king penguins. After spending a week sailing in horrendous seas with terrible weather, I finally arrived at my dream photography destination. Upon landing, most of the king penguins were somewhat skittish, but these guys walked right up to greet me! Oh, boy. It was cold, too. The fresh snow on the normally rocky beach, however, helped make this already dramatic scene even more photogenic. In order to photograph this spectacle, I …

View Post

Capturing this dreamy image of Allegheny State Park at first light with the Vari-N-Duo

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Michael Bielat

I proposed to my wife there and we have been taking our children there every chance we get. Because I am very busy with my photo business, Allegheny Park is our place to wind down and enjoy life. Do I still bring my camera along? Absolutely! I make sure to pack light. My travel kit includes a Nikon D700 full-frame D-SLR, 24-70mm f/2.8 and my 70-200mm f/2.8 VR, tripod and my Singh-Ray filters. I use a couple of Graduated Neutral …

View Post

Capturing impressive infrared landscapes with the Nikon D-70 and an I-Ray filter

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, Scenes & Scenarios by Michael James

I became interested in landscape photography in 1997, when I was on Vancouver Island on the west coast of Canada. I was in school learning about infrared film. I had done a bit of work with it, but I was eager to see what it would do in the lush forests of British Columbia. My mother and I traveled to the island for Christmas break and I spent some time shooting photos in various places. Of course, this was infrared film back …

View Post

Putting the Singh-Ray filters to good use when capturing reflected images

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Steve Kossack

We almost always get our share of great light — most often at the beginning or the end of the day — no matter what time of year or location we’re visiting. But we all realize there will also be those really challenging times when we need to work with the light we’re given. That’s often when we learn the most. The best solution I have found for the lack of ‘good light’ is stronger composition and more creative selection …