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Kevin McNeal uses his Mor-Slo 10-Stop ND to create more radiant images during the magic hours

In Equipment & Technique, Scenes & Scenarios by Kevin McNeal

Among the many professional outdoor photographers who have greeted Singh-Ray’s Mor-Slo 10-stop ND filter is Kevin McNeal. It didn’t take him long to try the filter and send us this helpful report on using the filter during the “magic hours” around sunrise and sunset. “For me, one of the most challenging tasks in landscape photography,” says Kevin, “is shooting long exposures during the periods of sunrise and sunset when the sun is brightly visible. Over the years I have gotten …

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Timing a spontaneous visit to the South Carolina Lowcountry perfectly

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Peyton Hale

I just can’t work without my LB Warming Polarizer. For example, during my January photo trip to the ‘Boneyard Beach’ area in South Carolina’aLowcountry, my filters were essential to capturing the fantastic light. Most of my photo trips involve extensive planning and several days to adequately document the area, but this was a more spontaneous adventure. I just decided to take a gamble based on an optimistic weather report and favorable tide information. I drove about 5 hours through the …

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Adventures in Costa Rica’s rain and cloud forests

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Portraits, Scenes & Scenarios by Fabrizio Tessaro

What would be different about this particular trip, was that — despite the incredible photographic opportunities presented by Costa Rica’s vast biodiversity of wildlife — my focus would be on capturing landscapes of the rain and cloud forests of Monteverde. Our journey would also include a brief jaunt into the northern tropical dry forest area of Guanacaste and Santa Rosa National Park. Finding strong compositions within the tropical rain and cloud forests is challenging. Simply put, these forests are busy. There …

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Taking Singh-Ray filters along on a crazy road trip

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Don Smith

Although most of my stock shooting trips are planned well in advance, this time I discovered that I had an unexpected open week on my schedule that would begin in less than 36 hours. Just enough time to plan my journey. Joined by my friend and fellow photographer, C.W. McGowen, we set out to capture various coastal and inland locations spanning a wide area of Northern California and Oregon. These were locations that were on my ‘bucket list,’ and weather …

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An unexpected chance to visit Hawaii proves to be a lifetime experience

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Steve Kossack

The wonderful thing about life is that we never know! We create this crazy illusion that we control our lives, yet when I think about it, I realize how little is planned and how much is serendipity. In my quest to see and photograph in all the National Parks, I find myself still twenty-one parks short. Out of the fifty-eight locations that carry the N.P. designation, I’ve now visited thirty-seven. The Hawaiian Islands is about the last place I expected …

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Leading two workshops to Utah for a great adventure in fall colors and amazing scenery

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Don Smith

Each of the workshops, lasted five days with a two-day private excursion with two friends tagged onto the end. Needless to say, it was a long steady pace with very little sleep. I left California on October 25 with my co-instructor Scott Schilling. We took an early morning flight from San Jose, California to Las Vegas, Nevada, and then drove another 8 hours to Moab, Utah — which would be home base for my Arches/Canyonlands Workshop. I like to time …

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Going to Bali with my family and camera — a memorable time was had by all

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Wildlife by Emmett Quaine

I figured there would be some great opportunities, though, in such a beautiful tropical setting. Although I spent a lot of time trying to decide what photo gear to take, my Singh-Ray Filters were at the top of every list I made. While we were in Bali, there was a lot of entertainment activity going on. Surf company Rip Curl was there hosting the Rip Curl Cup at Padang Padang Beach; as excited as my kids were to surf, I …

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10-Day Tour of Scotland fulfilling a life-time dream

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Ernesto Santos

While I was anticipating beautiful scenery, I did not expect it to be so overwhelming. There was some rain, but what would the Scottish Highlands be without the rain, fog, and dramatic clouds? After a few days in Edinburgh to get over the jet lag, we rented a car and sped off to the town of St. Andrews. For those of you who are not avid golfers, St. Andrews is the birthplace of the sport and home to the greatest …

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Marking my first decade as a nature photographer with eight-day trip to the Canadian Rockies

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Jackson Echols

I was 19 and determined to become a nature photographer as well as a studio artist. Last May, I graduated with a Bachelor of Fine Arts — concentrating in Photography — from the University of Alabama at Birmingham. I am now a fine arts graduate student at the University of Texas at Arlington expecting to graduate in 2014. As I have advanced in my studies, I have remained undecided on my future career path to becoming a professional nature photographer. …

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Running into a scene that’s got everything except good light, Time for Plan B

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Jeff Bartelt

I often find wonderful compositions that prompt me to set up my camera and then wait for better light. And then wait some more. Sometimes it’s the weather that isn’t quite right, but just as often it’s the color or quality of the light that isn’t working for me. Every serious photographer has experienced the frustration of spending a lot of time and treasure pursuing an exciting image that’s just not happening the way we visualized it. Or maybe we’ve …