Editor’s note: We’ve been huge fans of Cole’s tremendous black & white work for years – and have often wondered what his images looked like out of the camera, before he applied his unique conversion and processing vision. So we were delighted when Cole sent us this post. I’ve had a number of people ask if I’d do some more “before” and “after” shots. So here are five from my recent Oregon trip. All are long exposures created with my …
A Resident Artist
Editor’s note: In our humble opinion, Chuck Kimmerle is one of today’s truly outstanding black & white photography artists. Our thanks for this reflection on the residency he just completed in Joshua Tree National Park, along with some of the extraordinary images he created during that time, with a little help from his Singh-Ray Vari-ND, Galen Rowell grads and LB neutral polarizer. Taken with Singh-Ray LB neutral polarizer I was getting a bit apprehensive. It was my second day of …
My National Geographic Expedition to Iceland, Greenland and the Northwest Passage
Editor’s note: Longtime Singh-Ray shooter and National Geographic and Pultitzer Prize winning photographer, Jay Dickman, takes us through some wonderful images he shot during an expedition he led this past August. You might be surprised to know that these were all taken with the Olympus E-M1 mirrorless four-thirds camera. And, of course, with Jay’s Singh-Ray Galen Rowell neutral density grads, polarizers, Vari-ND and Color Intensifiers, the latter a filter that rarely comes off his lenses. Keeping up with the mirrorless …
Five + Ten + Fifteen + Twenty + Vari-ND = Perfect ND Kit
Utah Hills, created with the Singh-Ray 15 Stop Mor-Slo Filter After years of experimentation and trying various ND filter combinations, I have assembled what I believe to be the world’s perfect ND kit. It consists of the following Singh-Ray filters: 5-stop Mor-Slo in 82mm 10-stop fixed ND filter in 82mm 15-stop fixed ND filter in 82mm 20-stop fixed ND filter in 82mm Vari-ND in 82mm Step up rings on each of my lenses so they all can use 82mm filters …
Palouse Light
It’s hard to explain rationally, but there are some locations for me where the light is just different – with a special quality unique to that area. One place that qualifies is Cape Cod, whose light is described in photos and words in Joel Meyerowitz’s ground-breaking book Cape Light. Another area I’d definitely nominate for the extraordinary quality of its light is the Palouse, an approximately 4,000 square mile area in Northeast Idaho and Southwest Washington, about 30 minutes south …
Fall in New Hampshire – An Annual Color Riot
Our annual New Hampshire photography tour is one of our most visually stimulating workshops. We’ve been shooting and conducting workshops there for 15 years and really look forward to going back each year. It’s also when I keep my Singh Ray filters close at hand. Clear, chilly mornings will be wet, creating a glow on the fallen colorful leaves patterns, which is always a great subject. However, the color can be dulled by the glare deflecting light away, resulting in …
My approach to wildflower photography
It’s mid-August, which means depending on what neck of the woods you call home, wildflower season could very well be at its peak. Of all the seasons and natural events I enjoy shooting, wildflower season sits at the very top of the list. It is exciting, dynamic and fleeting. Capturing five-star wildflower landscapes is no easy task. Read on for some simple tips on how you can maximize your time in the field shooting wildflowers this year. 1. Do Your …
Shooting summer wildflowers
Kevin McNeal is a master at shooting wildflowers, as these photos attest. Here he discusses the one essential filter he uses for every one of his wildflower scenes and why. With summer comes the arrival of wildflowers, in all their glory. In my experience, one of the most challenging aspects of nature photography is successfully shooting wildflowers. But nothing is more rewarding when the outcome is what you’ve tried to achieve. I’ve made many mistakes over the past few years …
10 Myths People Have About Professional Photographers
I have had the good fortune to make a living with my camera for the past 40 years. I picked up my first camera at age 13 and have never stopped being fascinated with creating images. During my teen years, I had absolutely no desire to be a professional photographer. I loved sports and was absorbed in the world of snow ski racing. Every year, without fail, I would round up my friends and see the latest Warren Miller ski …
George Lepp Letter
A note from George Lepp Like most photographers, I used less expensive lenses and accessories when I began photographing nature subjects 40 years ago; I pushed them to the max to deliver the best results they could offer. My first filters were probably as good as my lenses, but as I moved to Canon’s top-of-the-line pro gear, I also upgraded my filters to Singh-Ray. It made no sense to buy the best lenses available and top themm off with a …