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Marking my first decade as a nature photographer with eight-day trip to the Canadian Rockies

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Jackson Echols

I was 19 and determined to become a nature photographer as well as a studio artist. Last May, I graduated with a Bachelor of Fine Arts — concentrating in Photography — from the University of Alabama at Birmingham. I am now a fine arts graduate student at the University of Texas at Arlington expecting to graduate in 2014. As I have advanced in my studies, I have remained undecided on my future career path to becoming a professional nature photographer. …

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Explaining how I create colorful images at twilight with the Gold-N-Blue Polarizer

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Kevin McNeal

Once the sun drops below the horizon, many photographers pack up their gear and go home. However, for those of us who have a Gold-N-Blue handy, twilight can present some great opportunities to capture a most magical light. Unfortunately, the color that presents itself during these twilight hours is often not long enough, nor strong enough, to permit us to photograph for very long. For me, this is where the Gold-N-Blue pays off. During twilight, the Gold-N-Blue dramatically increases the …

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Running into a scene that’s got everything except good light, Time for Plan B

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Jeff Bartelt

I often find wonderful compositions that prompt me to set up my camera and then wait for better light. And then wait some more. Sometimes it’s the weather that isn’t quite right, but just as often it’s the color or quality of the light that isn’t working for me. Every serious photographer has experienced the frustration of spending a lot of time and treasure pursuing an exciting image that’s just not happening the way we visualized it. Or maybe we’ve …

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Feeling fortunate to photograph the rocky coast of Maine any day of the year

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Fred Weymouth

Living on the rugged coast of Maine provides a nearly endless coastline dotted with thousands of islands, inlets, and waterways to be explored and photographed in every season of the year. How could any serious outdoor photographer wish for more? But there is plenty more to appreciate about the Maine Coast… like the four distinct seasons we have. Each brings its own weather, its own colors, and its own nature. Winters can be harsh — freezing cold and wet. Spring …

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Visiting Joshua Tree National Park to commune with the ancient boulders

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Cole Thompson

It was the first time I had visited since 1987 when my wife and I went camping there. Coincidentally, our trip occurred right after U2 had introduced their new album “Joshua Tree,” and I remember listening to it non-stop as we sunned ourselves on the large round boulders at the park. The music and that location are positively and indelibly intertwined in my memory. Each time I hear those songs, I am transported back in time. So it was with …

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Relying on Singh-Ray Mor-Slo filters to render ocean landscapes with a timeless calm

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Kevin McNeal

We were lucky enough recently to make a trip to the coastline of California and more specifically to the Big Sur region. Anytime I am shooting ocean landscapes, my Singh-Ray filters play a big part in creating the mood I’m shooting for. My current favorite is the 5-Stop Mor-Slo ND filter. My favorite shooting technique for ocean landscapes is to use the 5-stop Mor-Slo to produce very long exposures that dramatically enhance the mood of the image. For example, others …

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Tracing the Silver Bay landscape image from pre-visualization to post production

In Black & White, Corporate/Commercial, Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Alec Johnson

I thought I would offer a basic case study explanation of how this image of Silver Bay was created from the pre-visualization stage to the final post production steps. My basic motivation to create this image was to test an idea that’s reflected in many landscape photographers’ work. I’m referring to the idea that the photographer can control where the eye of a viewer first enters the image and the path that the eye follows while looking at the image. …

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Capturing impressive infrared landscapes with the Nikon D-70 and an I-Ray filter

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, Scenes & Scenarios by Michael James

I became interested in landscape photography in 1997, when I was on Vancouver Island on the west coast of Canada. I was in school learning about infrared film. I had done a bit of work with it, but I was eager to see what it would do in the lush forests of British Columbia. My mother and I traveled to the island for Christmas break and I spent some time shooting photos in various places. Of course, this was infrared film back …

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Reflections of this year’s visit to the splendors of Glacier National Park

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Wildlife by Steve Kossack

Sometimes I wonder whether success in any creative art is more dependent on the singer or the song? That is to say, is it really the photographer or the place? Over the years, I’ve come to realize excellent outdoor images can be made almost anywhere at any time. Nevertheless, that rationalization fades from memory when I find myself surrounded by the awesome grandeur of our nation’s National Parks, and one in particular. Although it’s in a remote location, Glacier National …

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Visiting Oregon, I brought along my Singh-Ray filters

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Loscar Numael

Aspiring landscape photographer Loscar Numael recently had an opportunity to try out his Singh-Ray filters while visiting Oregon. “I brought along my entire kit of filters and I was glad I did because Oregon has to be one of the most photographically diverse and beautiful places a landscape photographer can find. Only knowing Oregon from seeing the images made by other photographers, I wasn’t sure what to expect. With each passing day of the trip — as I discovered how …