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Tips For Better Wildflower Images – Part 2

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don Smith

Tip #6 – Auto ISO Most new digital cameras are now offering Auto ISO. I find, when photographing wildflowers and fighting a relentless breeze, that this feature can save the day and really allow me to concentrate on my composition. I first tried this feature last March in the hills of southern Washington. I was working on a sunset shoot with some Balsamroot and Lupine. I had envisioned catching a sun star as the sun lowered on a nearby hill. …

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Tips For Better Wildflower Images – Part 1

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don Smith

Editor’s note: It’s flower time in many parts of the world now, so we thought these tips from Don Smith might be helpful – here is part one. Don’s essential tools for shooting wildflowers include his Singh-Ray warming and neutral polarizers. Many photographers also choose our ColorCombo Polarizer for flowers. One way or the other, a polarizer is a must-have creative tool for this type of photography. Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/30th ISO 800. Spring is in full bloom and …

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Capturing the image you envision

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Michael Kish

Photographers now have more powerful tools available to them than ever before. Exciting new sensor technologies already up to 50+ megapixels. Lenses that can resolve the finest detail. Huge advances in the digital darkroom, such as the ability to easily blend multiple images using luminosity masks. With all these advances, where do filters fit in? In my photo tours and workshops I often hear “I can do that later in Photoshop.” Photoshop is certainly a powerful tool, but it can’t …

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Capturing a special moment at the Taj Mahal

In City/Urban, ND Filters, Polarizing Filters, Scenes & Scenarios, UV Filters by Jay Dickman

The Taj Mahal was built in 1631 by Shah Jahan, as a testament to the love he felt for his wife, Mumtaz Mahal who died giving birth to their 14th child, Gauhara Begum. The ivory-white marble mausoleum is built in a combination of Persian and Mughal architecture. The tomb contains both the false sarcophagi in the main chamber, as well as the actual tombs of Mumtaz Hahal and Shah Jahan, which are in a lower level of the building. The …

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For stronger foregrounds, try taking a bug’s eye view!

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Don Smith

Editor’s note: Don’s technique for capturing and processing this image is also a great way to solve the challenge of combining a very long exposure for one element of a scene with the need for a faster exposure to avoid motion in another part of the scene.  Sony a7RII, Sony/Zeiss FE 16-35mm, f/16, 8.5 minute exposure (separate exposure on foreground – explained below), 100 ISO, Singh-Ray 15-stop Mor-Slo solid neutral density filter.  Back in my college days at San Jose …

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Tips for using your Mor-Slo™ 10-stop solid neutral density filter

In Black & White, Equipment & Technique, ND Filters by Singh-Ray Staff

Editor’s note: This post is the second in a series on using solid neutral density filters, arguably one of today’s most popular creative tools for photographers. Singh-Ray pioneered the development of these filters and now offers a choice of  5-, 10-, 15- and 20-stop Mor-Slo filters. We’re often asked, “Which lens filter should I have in my bag?” but that clearly depends on the types of effects/images you are looking for, the time of day and the lighting conditions. You …

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Tips for using your Mor-Slo™ 5-stop solid neutral density filter

In Corporate/Commercial, Equipment & Technique, ND Filters by Singh-Ray Staff

Editor’s note: This post is a little different from our regular feature articles by leading photographers using Singh-Ray filters. Instead, it is a response to numerous inquiries we’ve received for tips on using solid neutral density filters, arguably one of today’s most popular creative tools for photographers. Singh-Ray pioneered the development of these filters and now offers a choice of  5-, 10-, 15- and 20-stops. We’re often asked, “Which should I have in my bag?” but that clearly depends on …

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“All in camera, old school photography” with digital, part 2

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Randall J. Hodges

This is the second article in my “All in Camera” series for the Singh-Ray blog. Today, I’d like to highlight the need to control white balance during image capture and discuss a valuable in-camera tool you might not currently be using that can help you with this – what I call the “Digital Rolls of Film” settings available in most DSLR cameras (“Picture Control” in the menu of Nikon DSLRs and “Picture Style” in Canon DSLRs). Let’s start with this …

Where to next… and what should I bring?

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brian Rueb

For me, a lot of the fun of photography is picking which new area I want to go photograph. I’m spinning a virtual globe and searching for the next spot. Once I find that location, the real work begins looking for the spots I’ll visit when I arrive. A lot of that process is done prior to ever stepping off the airplane and actually seeing the place with my own eyes. Searching images, trail reviews and looking over Google Earth …

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The long exposure as a creative tool

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Jason Odell

As a professional photographer, I’m always exploring creative techniques and how they can be used to create impact in my images. One of my favorite techniques is to use a long exposure to deliberately convey motion by creating a distinct contrast between moving and static elements in a scene. As exposure time lengthens, moving objects are transformed from sharp, static subjects into soft, blurred ones. If you can identify the movement patterns and direction of dynamic elements in your scene, …