Los Angeles, It was a big sprawling city even in those days. One block looked like the next. I don’t have any photography to speak of from those days because I always felt that nature was elsewhere. I’ve never looked back and, through my photographic travels and workshops, I’ve been treated to some of the most beautiful and scenic locations imaginable. The National and State parks throughout the American West are my home and photographic focus. Nevertheless, I recently had …
Tracing the Silver Bay landscape image from pre-visualization to post production
I thought I would offer a basic case study explanation of how this image of Silver Bay was created from the pre-visualization stage to the final post production steps. My basic motivation to create this image was to test an idea that’s reflected in many landscape photographers’ work. I’m referring to the idea that the photographer can control where the eye of a viewer first enters the image and the path that the eye follows while looking at the image. …
Reflections of this year’s visit to the splendors of Glacier National Park
Sometimes I wonder whether success in any creative art is more dependent on the singer or the song? That is to say, is it really the photographer or the place? Over the years, I’ve come to realize excellent outdoor images can be made almost anywhere at any time. Nevertheless, that rationalization fades from memory when I find myself surrounded by the awesome grandeur of our nation’s National Parks, and one in particular. Although it’s in a remote location, Glacier National …
Series of dramatic architectural studies reflects constant search for fresh ideas
For the past two years, I’ve been working on a project that combines my love for architecture and photography. Called The Fountainhead, after the Ayn Rand novel, this series features images of skyscrapers that have been dramatically distorted to give them a very modern and futuristic look. Rather than transforming these images by using Photoshop, however, I resorted to a much more ‘old-school’ technique that enabled me to visualize and capture the final images in my digital camera. I photographed …
Finding out that Iceland is a great place to apply the versatility of the Vari-N-Trio and ColorCombo
Now, thanks to our new series of workshops, organized in cooperation with the folks at Focus-on-Nature in Iceland, I have been able to realize that dream. We began our series there last summer and have the next workshop set for July 10-16, 2011. Since there are also a number of other workshops held there throughout the year, I thought it might be helpful to pass along a few general observations and suggestions for those planning to photograph in Iceland. During …
Fleeing the Canadian winter and discover all the warmth Cuba has to offer
We booked a one-week foray to Cuba in search of palm trees, turquoise waters, great music and an endless stream of piña coladas. This was to be a family holiday, and I’m sure I am not the only photographer who has discovered they cannot diligently shoot while on vacation. As a compromise between my own impulses as a photographer and my respect for the notion that this would be a family holiday, I decided to take just one small carry-on …
Relocating my Photo Business to Nevada has Become a Moving Experience
Moving forward always gives a better view to the past. As I get set to move after a decade in one place, all the years of field photography, and especially the resulting images, now come to the forefront with different thoughts and emotions attached. The images that have special merit are the ones that have found their way into my heart and then onto my walls. They have literally stood the test of time, Now, as I move them to …
How to use long exposures to create mystical black and white images
I have always been intrigued by monoliths, first by the statues on Easter Island, then by the monolith in the film 2001: A Space Odyssey and most recently by Stonehenge in England. In each case, seeing these monoliths prompts the question; Who built them and for what purpose? I’ve always loved visiting Bandon Beach in Oregon because of the natural monoliths strewn along the coastline. Randomly placed, it is as though the earth were God’s chessboard and the monoliths the …
The “motion” in emotional water images created by stretching exposures to the limit
I believe that long exposures and water are a natural match. Portraying water as fluid seems so much more natural to me. My Singh-Ray Vari-ND lets me easily explore exposures of varying durations by simply adjusting the density from about 2 stops up to 8 stops, or anywhere in between. My strong attraction to long exposures came about because of water. I was intrigued by the way moving water looked at different exposures; a 1-second image looked so completely different …
On the narrowest trails in the most faraway corners of the world
Believe me, my filters are important. In particular three kinds of Singh-Ray filters go with me everywhere. There’s a Hi-Lux filter on each of my lenses, and I also carry a 77mm LB Warming Polarizer and a 77mm Vari-ND filter. Each one of these filters is essential and fits neatly in my camera bag that I have to carry around all day. I keep a Hi-Lux UV filter on each lens because I want the best possible glass between my …