In this third installment, I’d like to drill down further into the “Digital Rolls of Film” process that I rely on, show you a few images and explain the filters and settings I used to create each image entirely in the camera – with less than one minute each of post-processing time! Silver Falls in Golden and Silver Falls State Natural Area in Oregon. F/22 @ 1 sec. -1 stop Exposure Compensation, ISO 50, 67mm with Singh-Ray LB Circular Warming Polarizer. …
“All in camera, old school photography” with digital, part 2
This is the second article in my “All in Camera” series for the Singh-Ray blog. Today, I’d like to highlight the need to control white balance during image capture and discuss a valuable in-camera tool you might not currently be using that can help you with this – what I call the “Digital Rolls of Film” settings available in most DSLR cameras (“Picture Control” in the menu of Nikon DSLRs and “Picture Style” in Canon DSLRs). Let’s start with this …
My 3-stop reverse graduated ND filter. An essential tool for shooting sunsets.
Typical graduated filters are darkest at one end, and gradually lighten up along the length of the filter. These are essential for any landscape photographer’s kit, and are commonly used when the sun is above the frame, for instance in the late afternoon. They help balance the exposure of a bright sky and a darker foreground scene. The problem with this filter when photographing sunsets, is that the frame is typically brightest towards the middle, or top third, of the frame, meaning …
“All-in-camera, old school photography” with digital cameras, Part 1
“To Photoshop” or “not to Photoshop,” that is the question. Well, not really, but for an all-in-camera professional like myself, there really is no choice. I believe there is absolutely nothing wrong with Photoshop, Lightroom or any other post-processing techniques used to create images, as this is the accepted norm these days. In fact, I’m a fan of many professionals out there who post process their images and produce outstanding images using their post processing tools. I believe each individual …
Get into the flow… using filters for dramatic waterfall photography
Editor’s note: Robert Clark is a master of waterfall photography. He is a graphic designer, architect, landscape photographer and teacher – and works as a media designer, manager and frequent photographer for the National Park Service. This post is loaded with Bob’s great waterfall shots and tips! Waterfall photography is a very popular among landscape photographers. Of all the landscape images I make, I find that shooting waterfalls remains my favorite in terms of subject matter. Capturing the very real …
Tony Sweet demonstrates the use of three Singh-Ray filters he describes as essential to his art
In a time when many photographers believe that hardware filters are passé, there are still three types of filters that I use as often as I did back when I was a film photographer: the solid neutral density filter, the infrared filter (used on my unconverted cameras), and the always important graduated ‘split’ neutral density filters. Let’s start with the Solid Neutral Density filter I’m now using. It’s the new 10-Stop Mor-Slo ND filter from Singh-Ray. Extremely long exposures cannot …
Trip to Iceland proved to be a rich and inspiring experience
I have taken photo trips in Europe and the Mediterranean, but the biggest step yet has been my recent trip to Iceland. That had been a “dream” destination for a long time. The dream came true in June 2012. My goal for this trip was to explore the south coast, a part of the highlands and, if possible, the west peninsula. I had ten days there and the program was dependent on the weather. It turned out we were lucky …
Tony Sweet finds Singh-Ray’s 10-Stop Mor-Slo filter delivers long-exposures without all the clean-up
There is an obvious color cast — mostly strong magenta — that can sometimes be dramatic and nice, and at other times dramatic and problematic. Rather than taking time to color correct such images on the computer, which can be quite time consuming with less than acceptable results, I’ve opted more often to converting the image to black and white, which works to my satisfaction much of the time. But, what if color is the reason for making the image? …
Capturing impressive infrared landscapes with the Nikon D-70 and an I-Ray filter
I became interested in landscape photography in 1997, when I was on Vancouver Island on the west coast of Canada. I was in school learning about infrared film. I had done a bit of work with it, but I was eager to see what it would do in the lush forests of British Columbia. My mother and I traveled to the island for Christmas break and I spent some time shooting photos in various places. Of course, this was infrared film back …
When it comes to capturing unique images in exotic places, she’s ready to go
National Geographic photographer Nevada Wier travels over the back roads and trails of Southeast Asia, India, China, Africa as well as Central Asia and South America. Her dramatic images document some of the world’s most remote tribal areas and cultures from a uniquely intimate, insider’s perspective. Recently Nevada has focused on northern India’s Ladakh region. These three images are from a recent exhibition, A Nomadic Vision, and may be included in her next book. After years of almost always being on the move, …