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Black & white photography… it’s more than just color photography minus the color

In Black & White, Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Alec JohnsonLeave a Comment

  Bay Bridge, San Francisco. Canon 5D MkIII, Canon 24-70mm @24mm, ISO100, f/16, Singh Ray Gold-N-Blue polarizer and Singh Ray 10 stop Mor Slo solid ND, WB 7600, 92 seconds All joking aside, I believe black & white photography is making a resurgence, with the development of better digital files and advanced software. But don’t expect an “Auto Awesome B&W” button in Lightroom or Photoshop any time soon! Color in a photograph is its own subject and the absence of …

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Sunrise at the Coffee Flats Schoolhouse

In Equipment & Technique, ND Filters by George WilsonLeave a Comment

Waking one September morning well before the sun, I headed out to the intersection of Highland and Rocky Ford at the Black Hills Wild Horse Sanctuary with a thermos of coffee and a few breakfast bars. This year I was spending only two weeks in this prime South Dakota real estate. All of the roads here are dirt, dotted with cattle guards, potholes, and a few washouts. I would actually drive on pavement for just one hour during my visit …

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Creeks and Waterfalls Captured all in Camera

In Equipment & Technique, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features by Randall J. Hodges3 Comments

I love shooting creek and waterfalls. I love hiking along creeks and rivers listening to the magical sounds of the flowing waters as they drown out the rest of the world leaving me in the moment along the beautiful forest trails of the Pacific Northwest. I do most of this type of shooting in the spring or fall, and I prefer overcast skies for balanced light, giving me awesome colors and crisp white waters. My second choice would be shade …

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Gold-N-Blue™ Polarizers

In by adminLeave a Comment

The Gold-N-Blue polarizer adds variable gold or blue tones to polarized light, creating effects ranging from subtle to dramatic. It’s versatile and exciting to use, especially with water scenes, both in dull light and on bright, sunny days. And B&W shooters depend on the Gold-N-Blue for the vivid tonal contrast it adds to their images. Try the Gold-N-Blue and discover a world of fresh new photo opportunities!

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“All-in-camera, old school photography” with digital cameras, Part 3

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Wildlife by Randall J. HodgesLeave a Comment

In this third installment, I’d like to drill down further into the “Digital Rolls of Film” process that I rely on, show you a few images and explain the filters and settings I used to create each image entirely in the camera – with less than one minute each of post-processing time! Silver Falls in Golden and Silver Falls State Natural Area in Oregon. F/22 @ 1 sec. -1 stop Exposure Compensation, ISO 50, 67mm with Singh-Ray LB Circular Warming Polarizer. …

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“All in camera, old school photography” with digital, part 2

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Randall J. HodgesLeave a Comment

This is the second article in my “All in Camera” series for the Singh-Ray blog. Today, I’d like to highlight the need to control white balance during image capture and discuss a valuable in-camera tool you might not currently be using that can help you with this – what I call the “Digital Rolls of Film” settings available in most DSLR cameras (“Picture Control” in the menu of Nikon DSLRs and “Picture Style” in Canon DSLRs). Let’s start with this …

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My 3-stop reverse graduated ND filter. An essential tool for shooting sunsets.

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brady CabeLeave a Comment

Typical graduated filters are darkest at one end, and gradually lighten up along the length of the filter. These are essential for any landscape photographer’s kit, and are commonly used when the sun is above the frame, for instance in the late afternoon. They help balance the exposure of a bright sky and a darker foreground scene. The problem with this filter when photographing sunsets, is that the frame is typically brightest towards the middle, or top third, of the frame, meaning …

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“All-in-camera, old school photography” with digital cameras, Part 1

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Randall J. HodgesLeave a Comment

“To Photoshop” or “not to Photoshop,” that is the question. Well, not really, but for an all-in-camera professional like myself, there really is no choice. I believe there is absolutely nothing wrong with Photoshop, Lightroom or any other post-processing techniques used to create images, as this is the accepted norm these days. In fact, I’m a fan of many professionals out there who post process their images and produce outstanding images using their post processing tools. I believe each individual …

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Get into the flow… using filters for dramatic waterfall photography

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Robert ClarkLeave a Comment

Editor’s note: Robert Clark is a master of waterfall photography. He is a graphic designer, architect, landscape photographer and teacher – and works as a media designer, manager and frequent photographer for the National Park Service. This post is loaded with Bob’s great waterfall shots and tips! Waterfall photography is a very popular among landscape photographers. Of all the landscape images I make, I find that shooting waterfalls remains my favorite in terms of subject matter. Capturing the very real …

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Tony Sweet demonstrates the use of three Singh-Ray filters he describes as essential to his art

In Black & White, Equipment & Technique, Infrared Filters, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Tony SweetLeave a Comment

In a time when many photographers believe that hardware filters are passé, there are still three types of filters that I use as often as I did back when I was a film photographer: the solid neutral density filter, the infrared filter (used on my unconverted cameras), and the always important graduated ‘split’ neutral density filters. Let’s start with the Solid Neutral Density filter I’m now using. It’s the new 10-Stop Mor-Slo ND filter from Singh-Ray. Extremely long exposures cannot …