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Working Through Visual Puzzles

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don Smith

Maple Leaves on Fallen Redwood, Nisene Marks State Park, California Sony a7R, Sony 70-200mm @ 200mm, f/20, 4 seconds, 100 ISO, Singh-Ray Neutral Polarizer It has been my observation in teaching workshops for the past 10 years that there are two types of photographers: There are those whom I call the “trophy hunters,” they have scoured the internet regarding the area they are photographing and are there to shoot the icons. Then there are those who’ll find their own twist …

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A Resident Artist

In Black & White, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Chuck Kimmerle

Editor’s note: In our humble opinion, Chuck Kimmerle is one of today’s truly outstanding black & white photography artists. Our thanks for this reflection on the residency he just completed in Joshua Tree National Park, along with some of the extraordinary images he created during that time, with a little help from his Singh-Ray Vari-ND, Galen Rowell grads and LB neutral polarizer. Taken with Singh-Ray LB neutral polarizer I was getting a bit apprehensive. It was my second day of …

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Filters Still Have an Important Role in High-Quality Photography

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Ernesto Santos

I recently returned from a week in South Dakota and it was an exhilarating, wonderful experience. I’d just switched to Singh-Ray 4×6 inch Galen Rowell neutral density grads from the “P” size, so I was looking forward to trying out these larger filters with my usual hand-holding technique. Here is how I approach hand-holding ND grads; it’s quite an easy process, and best of all, it obviously doesn’t require futzing around with a bulky filter holder. I often stack up …

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Realizing my vision, with the help of my filters

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Doug Van Kampen

Editor’s note: Doug is a full-time U.S. Coast Guardsman, which may have something to do with why most of his photos seem to contain water! An avid photographer who spends much of his time at sea serving his country, here he describes his transition from film to digital,  with the help of Singh-Ray filters. We’re pleased to feature Doug’s work. My enduring love for creating photographs began at age 13, in a darkroom with my father. To say the least, …

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Five + Ten + Fifteen + Twenty + Vari-ND = Perfect ND Kit

In Black & White, Corporate/Commercial, Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Cole Thompson

Utah Hills, created with the Singh-Ray 15 Stop Mor-Slo Filter After years of experimentation and trying various ND filter combinations, I have assembled what I believe to be the world’s perfect ND kit. It consists of the following Singh-Ray filters: 5-stop Mor-Slo in 82mm 10-stop fixed ND filter in 82mm 15-stop fixed ND filter in 82mm 20-stop fixed ND filter in 82mm Vari-ND in 82mm Step up rings on each of my lenses so they all can use 82mm filters …

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Palouse Light

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios, Special Events by John Barclay

It’s hard to explain rationally, but there are some locations for me where the light is just different – with a special quality unique to that area. One place that qualifies is Cape Cod, whose light is described in photos and words in Joel Meyerowitz’s ground-breaking book Cape Light. Another area I’d definitely nominate for the extraordinary quality of its light is the Palouse, an approximately 4,000 square mile area in Northeast Idaho and Southwest Washington, about 30 minutes south …

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Why do you still use filters? Why not just bracket?

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios, Water Features by Brian Rueb

My grandmother still handwrites letters. My mother still makes all her desserts from scratch. When we make pasta, I still grate the cheese by hand. I also use filters when I take photos. What do all of these things have to do with one another? I’ll tell you. I’ve used filters for most of my twenty years in photography. A Singh-Ray polarizer was the first filter I ever purchased, once I saw how it enhanced images, and provided some much …

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My approach to wildflower photography

In Equipment & Technique, Landscapes, Polarizing Filters, Portraits, Scenes & Scenarios by Adam Barker

It’s mid-August, which means depending on what neck of the woods you call home, wildflower season could very well be at its peak. Of all the seasons and natural events I enjoy shooting, wildflower season sits at the very top of the list. It is exciting, dynamic and fleeting. Capturing five-star wildflower landscapes is no easy task. Read on for some simple tips on how you can maximize your time in the field shooting wildflowers this year. 1. Do Your …

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Shooting summer wildflowers

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Kevin McNeal

Kevin McNeal is a master at shooting wildflowers, as these photos attest. Here he discusses the one essential filter he uses for every one of his wildflower scenes and why. With summer comes the arrival of wildflowers, in all their glory. In my experience, one of the most challenging aspects of nature photography is successfully shooting wildflowers. But nothing is more rewarding when the outcome is what you’ve tried to achieve. I’ve made many mistakes over the past few years …

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10 Myths People Have About Professional Photographers

In Corporate/Commercial, Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don Smith

I have had the good fortune to make a living with my camera for the past 40 years. I picked up my first camera at age 13 and have never stopped being fascinated with creating images. During my teen years, I had absolutely no desire to be a professional photographer. I loved sports and was absorbed in the world of snow ski racing. Every year, without fail, I would round up my friends and see the latest Warren Miller ski …