I have always been intrigued by monoliths, first by the statues on Easter Island, then by the monolith in the film 2001: A Space Odyssey and most recently by Stonehenge in England. In each case, seeing these monoliths prompts the question; Who built them and for what purpose? I’ve always loved visiting Bandon Beach in Oregon because of the natural monoliths strewn along the coastline. Randomly placed, it is as though the earth were God’s chessboard and the monoliths the …
Recalling the origins of the Galen Rowell Graduated ND Filters
In those bygone days, BD (Before Digital), one of the biggest frustrations for landscape photographers was the limited latitude of color slide film. A four to five-stop dynamic range was all that our film could handle before the shadows blocked up or the highlights burned out. This presented a real problem especially when we were faced with a beautiful (but dark) foreground and a glorious (but very bright) background sky. At best, we would have to wait for just the …
Two-minute video demonstrates how a Graduated ND Filter balances the light
From his vast outdoor studio not far from Alberta, Canadian photographer and author Darwin Wiggett sends this unedited video showing how easy it is to balance the dynamic range between the sky and the foreground of this outdoor scene simply by using a Singh-Ray 2-stop hard-step Graduated ND Filter. “I shot the video using a Canon Rebel T2i and a Tamron 17-50 f2.8 lens. I shot the scene at 17mm. A Cokin P-Series filter holder was mounted on the lens …
The “motion” in emotional water images created by stretching exposures to the limit
I believe that long exposures and water are a natural match. Portraying water as fluid seems so much more natural to me. My Singh-Ray Vari-ND lets me easily explore exposures of varying durations by simply adjusting the density from about 2 stops up to 8 stops, or anywhere in between. My strong attraction to long exposures came about because of water. I was intrigued by the way moving water looked at different exposures; a 1-second image looked so completely different …
On the narrowest trails in the most faraway corners of the world
Believe me, my filters are important. In particular three kinds of Singh-Ray filters go with me everywhere. There’s a Hi-Lux filter on each of my lenses, and I also carry a 77mm LB Warming Polarizer and a 77mm Vari-ND filter. Each one of these filters is essential and fits neatly in my camera bag that I have to carry around all day. I keep a Hi-Lux UV filter on each lens because I want the best possible glass between my …
It’s easy to photograph the American West without straining your budget or your back
For the many photographers who live out here, it’s just about heaven. If I have any advice for photographers who don’t live out here, it would be to come visit. Just be sure to bring your camera, a good tripod and all your filters. There’s an infinite supply of dramatic beauty, natural geological wonders, and the historical remains of the recent and ancient past to be enjoyed and documented. And the best part is their easy accessibility to all of …
The Essential Filters for Controlling Contrast in Digital Nature Photography
Originally posted in March, 2010, this article from Darwin Wiggett contains some truly fundamental information about using filters for photographers to learn or review. Each time award-winning photographer and author Darwin Wiggett writes about filters, he is sharing his own years of successful experience. His stories featured on this blog have become a trusted reference source for many visitors. Now Darwin discusses the essential filters for controlling the luminance or contrast range of digital images and offers us his perspective …
When he travels the world, this photojournalist packs only essentials — including his filters
Born and raised in Belleville, Kansas, veteran travel photojournalist Jim Richardson has covered the world for National Geographic magazines since his first story appeared in 1984. “When I captured this image, our location was 54° 24′ 55.885″N, 9° 5′ 38.520″E. So we were due west of Ballyshannon, Ireland, and the sea had turned to glass.” At the time, Jim was with a group aboard the expedition ship National Geographic Endeavor. “Most of the guests were tucking into breakfast (or still …
Learning to photograph where we are, prepares us to photograph anywhere we go
Like many serious landscape photographers,Chris Moore finds that balancing the demands of a busy career, family life, and the search for dramatic landscapes is a challenge. “With just a couple of weeks a year to travel to exotic places,” says Chris, “my appetite for landscape photography has to be fulfilled close to home most of the time. Since integrating Singh-Ray filters into my workflow over the past year, however, I’m capturing more dramatic images wherever I’m shooting. It’s mostly here today, …
Ever wonder who needs a Hi-Lux UV Filter? Here’s your answer…
From National Geographicphotographer Nevada Wier — now somewhere beyond Bangkok on a two-month trip to Myanmar and India — comes a brief note with these two images from her on-going project “Outer India.” Almost always on the move, Nevada’s choice of Singh-Ray filters is quite different from that of most other photographers. “Traveling to remote places all over the world on airlines, through airports and over primitive backroads and bumpy mountain trails places very practical limits on how much equipment I carry. I …