Our 830 I-Ray filter is engineered to eliminate visible and ultraviolet light, so what reaches your sensor is pure infrared and produces the dramatic black & white of pure infrared.
Singh-Ray LB Color Combo Polarizer™
The Singh-Ray Color Combo Polarizer enables you to control glare and reflection, while simultaneously boosting shadow detail, local color contrast with an 8% color saturation of reds, greens and warm tones. This will allow you to capture more information in raw.
LB “Lighter, Brighter” Color Intensifiers
Singh-Ray’s LB Color Intensifier is uniquely formulated to subtly enhance the strongest colors in your scene, giving your images a natural, life-like boost. Despite its “intense” name, the effect is subtle — just enough to add needed saturation and impact to a wide range of outdoor subjects, from landscapes to macro shots, in any type of light. Many photographers also use the Color Intensifier to achieve greater impact in their black & white images.
I-Ray™ 690 Infrared Filters
Our 690 IR filter emits sufficient infrared light to create pleasing infrared images in both color and black & white — and dramatically cuts exposure times (depending on ISO, from less than one second to 2-3 seconds).
Tips for using your Mor-Slo™ 5-stop solid neutral density filter
Editor’s note: This post is a little different from our regular feature articles by leading photographers using Singh-Ray filters. Instead, it is a response to numerous inquiries we’ve received for tips on using solid neutral density filters, arguably one of today’s most popular creative tools for photographers. Singh-Ray pioneered the development of these filters and now offers a choice of 5-, 10-, 15- and 20-stops. We’re often asked, “Which should I have in my bag?” but that clearly depends on …
A Resident Artist
Editor’s note: In our humble opinion, Chuck Kimmerle is one of today’s truly outstanding black & white photography artists. Our thanks for this reflection on the residency he just completed in Joshua Tree National Park, along with some of the extraordinary images he created during that time, with a little help from his Singh-Ray Vari-ND, Galen Rowell grads and LB neutral polarizer. Taken with Singh-Ray LB neutral polarizer I was getting a bit apprehensive. It was my second day of …
Five + Ten + Fifteen + Twenty + Vari-ND = Perfect ND Kit
Utah Hills, created with the Singh-Ray 15 Stop Mor-Slo Filter After years of experimentation and trying various ND filter combinations, I have assembled what I believe to be the world’s perfect ND kit. It consists of the following Singh-Ray filters: 5-stop Mor-Slo in 82mm 10-stop fixed ND filter in 82mm 15-stop fixed ND filter in 82mm 20-stop fixed ND filter in 82mm Vari-ND in 82mm Step up rings on each of my lenses so they all can use 82mm filters …
Explaining how I create colorful images at twilight with the Gold-N-Blue Polarizer
Once the sun drops below the horizon, many photographers pack up their gear and go home. However, for those of us who have a Gold-N-Blue handy, twilight can present some great opportunities to capture a most magical light. Unfortunately, the color that presents itself during these twilight hours is often not long enough, nor strong enough, to permit us to photograph for very long. For me, this is where the Gold-N-Blue pays off. During twilight, the Gold-N-Blue dramatically increases the …
Graduated Neutral Density Filters by Galen Rowell
It’s still difficult to believe that our friend Galen Rowell and his wife Barbara are gone, since his work continues to live on in so many books, magazines, calendars and in our mind’s eye, and he still is such a presence in the lives of his friends, family and photographers everywhere. Galen wrote this column for Outdoor Photographer in 1992 when not many photographers were familiar with Graduated Neutral Density filters, and it provides an interesting perspective and insight into …