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Series of dramatic architectural studies reflects constant search for fresh ideas

In City/Urban, Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Cole Thompson

For the past two years, I’ve been working on a project that combines my love for architecture and photography. Called The Fountainhead, after the Ayn Rand novel, this series features images of skyscrapers that have been dramatically distorted to give them a very modern and futuristic look. Rather than transforming these images by using Photoshop, however, I resorted to a much more ‘old-school’ technique that enabled me to visualize and capture the final images in my digital camera. I photographed …

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Finding out that Iceland is a great place to apply the versatility of the Vari-N-Trio and ColorCombo

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Tony Sweet

Now, thanks to our new series of workshops, organized in cooperation with the folks at Focus-on-Nature in Iceland, I have been able to realize that dream. We began our series there last summer and have the next workshop set for July 10-16, 2011. Since there are also a number of other workshops held there throughout the year, I thought it might be helpful to pass along a few general observations and suggestions for those planning to photograph in Iceland. During …

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Relocating my Photo Business to Nevada has Become a Moving Experience

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Steve Kossack

Moving forward always gives a better view to the past. As I get set to move after a decade in one place, all the years of field photography, and especially the resulting images, now come to the forefront with different thoughts and emotions attached. The images that have special merit are the ones that have found their way into my heart and then onto my walls. They have literally stood the test of time, Now, as I move them to …

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Highlighting the many creative possibilities of photographing water with filters

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Olaf Bathke

One of my very favorite photographic subjects — besides people — is water. We can find so many creative possibilities in water photography because it’s almost always moving, it takes on different colors, reflects light and forms so many different shapes. In water photography, it is so easy to get really unique results. All that’s required is hard work, lots of experience and the right equipment. Most of the time water is involved in something interesting like giving sand, stones, …

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How to use long exposures to create mystical black and white images

In Black & White, Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Cole Thompson

I have always been intrigued by monoliths, first by the statues on Easter Island, then by the monolith in the film 2001: A Space Odyssey and most recently by Stonehenge in England. In each case, seeing these monoliths prompts the question; Who built them and for what purpose? I’ve always loved visiting Bandon Beach in Oregon because of the natural monoliths strewn along the coastline. Randomly placed, it is as though the earth were God’s chessboard and the monoliths the …

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The “motion” in emotional water images created by stretching exposures to the limit

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Cole Thompson

I believe that long exposures and water are a natural match. Portraying water as fluid seems so much more natural to me. My Singh-Ray Vari-ND lets me easily explore exposures of varying durations by simply adjusting the density from about 2 stops up to 8 stops, or anywhere in between. My strong attraction to long exposures came about because of water. I was intrigued by the way moving water looked at different exposures; a 1-second image looked so completely different …

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On the narrowest trails in the most faraway corners of the world

In Equipment & Technique, ND Filters, Polarizing Filters, Portraits, Scenes & Scenarios by Nevada Wier

Believe me, my filters are important. In particular three kinds of Singh-Ray filters go with me everywhere. There’s a Hi-Lux filter on each of my lenses, and I also carry a 77mm LB Warming Polarizer and a 77mm Vari-ND filter. Each one of these filters is essential and fits neatly in my camera bag that I have to carry around all day. I keep a Hi-Lux UV filter on each lens because I want the best possible glass between my …

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It’s easy to photograph the American West without straining your budget or your back

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Jon Sheppard

For the many photographers who live out here, it’s just about heaven. If I have any advice for photographers who don’t live out here, it would be to come visit. Just be sure to bring your camera, a good tripod and all your filters. There’s an infinite supply of dramatic beauty, natural geological wonders, and the historical remains of the recent and ancient past to be enjoyed and documented. And the best part is their easy accessibility to all of …

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The Essential Filters for Controlling Contrast in Digital Nature Photography

In Corporate/Commercial, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Portraits, Scenes & Scenarios by Singh-Ray Staff

Originally posted in March, 2010, this article from Darwin Wiggett contains some truly fundamental information about using filters for photographers to learn or review. Each time award-winning photographer and author Darwin Wiggett writes about filters, he is sharing his own years of successful experience. His stories featured on this blog have become a trusted reference source for many visitors. Now Darwin discusses the essential filters for controlling the luminance or contrast range of digital images and offers us his perspective …

When he travels the world, this photojournalist packs only essentials — including his filters

In Equipment & Technique by Sean Widker

Born and raised in Belleville, Kansas, veteran travel photojournalist Jim Richardson has covered the world for National Geographic magazines since his first story appeared in 1984. “When I captured this image, our location was 54° 24′ 55.885″N, 9° 5′ 38.520″E. So we were due west of Ballyshannon, Ireland, and the sea had turned to glass.” At the time, Jim was with a group aboard the expedition ship National Geographic Endeavor. “Most of the guests were tucking into breakfast (or still …