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Vari-N-Trio™ Variable Neutral Density (ND) Filters

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Create exciting motion effects, control glare and reflections, improve color saturation and tonal detail and give colors a bit more punch — all without stacking or changing filters. The color intensifier requires no adjustment. So just compose your shot, adjust focus, turn the polarizing ring to the desired look — and dial in density up to eight stops. It’s that easy!

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Vari-N-Duo™ Variable Neutral Density (ND) Filters

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The Vari-N-Duo is the best variable neutral density filter AND the best warming polarizer in ONE indispensable filter. Create exciting motion effects — and control glare and reflections and improve color saturation and tonal detail — all without stacking or changing filters. Just compose your shot, adjust focus, turn the polarizing ring to the desired look — and dial in density up to eight stops. It’s that easy.

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Vari-ND™ Variable Neutral Density (ND) Filters

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Add a dramatic new look to your work with motion effects and shallow depth of field, even in bright light or when using a flash. Just turn the Vari-ND to control the amount of light passing through your lens, adding between two and eight stops of neutral density with no loss of color fidelity or sharpness.

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Galen Rowell Graduated Neutral Density (ND) Filters

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Produce exciting, realistic images that contain the full contrast of the scene, in a single exposure, right in the camera. Singh-Ray pioneered these filters with legendary landscape photographer Galen Rowell. While they have since been copied by virtually every filter manufacturer, our Rowell grads remain the industry standard for optical quality and color fidelity.

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Thinking outside the box: photographing lightning with solid ND filters

In Equipment & Technique, ND Filters by Kristen Westlake

Lightning storms capture the attention of just about everyone. Bolts catapulted through the sky are spectacular to view and dangerous to be too close to. While most prefer to view grand shows of lightning from the safety of their abodes, some of us chase the radar in pursuit of the perfect scene against the perfect storm. Though lightning contrasts dramatically against the night time sky, my preference is the appearance of lightning at dusk. The lightning becomes a part of the …

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The Story Behind “Melting Giants”

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Cole Thompson

I was photographing in Nova Scotia when someone told me that Newfoundland to the north had icebergs. I have always been fascinated with icebergs (I think most people are) and so I decided that my next trip would be hunting icebergs in Newfoundland. I say “hunt” because I was warned that icebergs were unpredictable and inconsistent. One year you may see many and the next year…none. You just have to go and hope that you’ll be lucky. I prepare for each …

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The “Five-Stop Effect”

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Tom Bol

If you have thumbed through the pages of a photo magazine recently, chances are good you have seen the stunning effects created by ND filters. My palms start sweating when I see puffy clouds streaking across the sky. I know these clouds will look magical when I shoot at slow shutter speeds from 1-4 minutes using my 10- and 15-stop Singh-Ray Mor-Slo ND filters. Honestly, I look at clouds differently now knowing what transformative effects I can create using these filters. …

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Is There a Perfect Aperture for Landscape Photography?

In Landscapes, Scenes & Scenarios by Don Smith

The sun sets into Pacific Ocean fog as seen from Fremont Peak State Park, elevation 3,169 feet, Gabilan Mountain Range, California. Sony a7RII, Canon 11-24mm, f/16, 1/4th, 100 ISO. How often do you think about your aperture choice? There is an old saying amongst photojournalists: F/8 and be there! Many amateur landscape photographers seem to think f/16 is the popular choice. If one thinks about maximizing depth-of-field, then their thinking is correct. But when should one use f/22? Is that …

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Using Mor-Slo Solid ND Filters

In Equipment & Technique, ND Filters by Vinny Colucci

As a professional photographer, I came from the film days. We had to control as much of our creative vision as possible in the camera. Whether it was exposure, depth of field or motion, we did all of that through our cameras. In most cases, we used external filters to help us control the environment in which we photographed. Now, in the age of digital, we find we have tons of control once we hit the computer and software. Does …

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Random thoughts….

In Equipment & Technique, Polarizing Filters, Scenes & Scenarios, Wildlife by Ed Heaton

Ramblings from the White Mountains Just wrapped up a photography/camping trip to the White Mountains of New Hampshire – and spent a lot of time roaming the White Mountains in exploration of the abundant photo opportunities. They are spread out, but so are many of the iconic areas, so this was nothing new to us. There were numerous waterfalls in the area and, if you head down to the Lakes Region, you’ll find countless lakes and reflections. I have two …