Where to next… and what should I bring?

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brian Rueb

For me, a lot of the fun of photography is picking which new area I want to go photograph. Iā€™m spinning a virtual globe and searching for the next spot. Once I find that location, the real work begins looking for the spots Iā€™ll visit when I arrive. A lot of that process is done prior to ever stepping off the airplane and actually seeing the place with my own eyes. Searching images, trail reviews and looking over Google Earth …

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The long exposure as a creative tool

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Jason Odell

As a professional photographer, Iā€™m always exploring creative techniques and how they can be used to create impact in my images. One of my favorite techniques is to use a long exposure to deliberately convey motion by creating a distinct contrast between moving and static elements in a scene. As exposure time lengthens, moving objects are transformed from sharp, static subjects into soft, blurred ones. If you can identify the movement patterns and direction of dynamic elements in your scene, …

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Photoshop and six toolsā€¦ with a video demonstration

In Black & White, Equipment & Technique, Landscapes, ND Filters, Post-Processing, Scenes & Scenarios by Cole Thompson

Editorā€™s note: We are huge admirers of Coleā€™s work and have always wondered how he processed his memorable B&W images. Here Cole describes his process ā€“ and illustrates it with the video included in this article. Cole uses the Singh-Ray Vari-ND variable neutral density filter and our Mor-Slo 5-, 10-, 15- and 20-stop solid neutral density filters to help create many of his images. A friend and I were recently discussing how I process my images. I was trying to …

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5 reasons why you should be using a circular polarizing filter

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don Smith

The sun sets through fog as seen from Fremont Peak State Park, San Benito County, California (Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/10th, ISO 100, Singh-Ray Neutral Polarizer) If you are serious about your landscape photography, there is one filter that should be on each lens in your bag ā€“ a polarizer! Why? Well, that is what I will discuss in this article. But first you need to understand that the one filter that cannot be re-created in post-processing is …

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My 3-stop reverse graduated ND filter. An essential tool for shooting sunsets.

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brady Cabe

Typical graduated filters are darkest at one end, and gradually lighten up along the length of the filter. These areĀ essential for any landscape photographer’s kit, and are commonly used when the sun is above the frame, for instance in the late afternoon. TheyĀ help balance the exposure of a bright sky and a darker foreground scene. The problem with this filter when photographing sunsets, is that the frame is typically brightest towards the middle, or top third, of the frame, meaning …

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Photographing moving water

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features, Wildlife by Robert Clark

Moving water ā€“ waterfalls, rivers, streams and surf ā€“ often presents unique challenges to the landscape photographer. The most common way to capture images of moving water is to use a slower shutter speed. But how slow should the shutter speed be? The answer largely depends on the effect you are looking for in the final image. I normally divide my approach to shooting moving water into these three desired effects: Silky Milky Textural The silky effect is generally a …

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“All-in-camera, old school photography” with digital cameras, Part 1

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Randall J. Hodges

ā€œTo Photoshopā€ or ā€œnot to Photoshop,ā€ that is the question. Well, not really, but for an all-in-camera professional like myself, there really is no choice. I believe there is absolutely nothing wrong with Photoshop, Lightroom or any other post-processing techniques used to create images, as this is the accepted norm these days. In fact, Iā€™m a fan of many professionals out there who post process their images and produce outstanding images using their post processing tools. I believe each individual …

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New creative interpretations with slower exposure times

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Ellen Anon

As the digital era has evolved and cameras are ubiquitous, there are more and more images of literally everything, to the point that sometimes people wonder if itā€™s possible to make a photograph thatā€™s original. One of the reasons that I enjoy using Singh-Ray filters, such as the Mor-Slos and the Vari-ND is that I can transform what I see in front of me into my interpretation of it, rather than just a documentary-style image, while maintaining the highest possible …

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“Cleanse your palette” Another approach to using solid neutral density filters

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Chuck Kimmerle

Solid neutral density filters ā€“ I use Singh-Ray Mor-Slo and George Lepp solid ND filters ā€“ have become increasingly popular the past few years. Their ability to increase exposure times from 1-stop to 20-stops (2x to, amazingly, more than 1,000,000x) helps to emphasize motion, thus adding a soft and ephemeral feel to moving elements such as waterfalls and clouds. However, there is another use for these filters beyond emphasizing motion, and that is to hide it. To soften detail. To …

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Pursuing subtle

In Landscapes, Scenes & Scenarios, Wildlife by Mark Lissick

In this age of ā€œin-your-faceā€ visual imagery we have come to be enamored by explosive vibrancy. Images are designed with easily categorized subjects allowing the viewer the ability to quickly digest the visual message and then move on. In the realm of artistic endeavor this is becoming almost formulaic. While some fantastic images are the result, such design structuring can stifle oneā€™s imagination. Creativity does not thrive in a box. Images that limit the viewerā€™s choices leave little for interpretation …