View Post

Russ Bishop

In by Russ Bishop

Russ Bishop has been a professional fine art landscape and travel photographer for over thirty years. He began his photographic odyssey at age fourteen, and has been expressing his love for the natural world one frame at a time ever since. With an emphasis on landscape, nature, travel, and lifestyle, Russ creates dynamic imagery with a sense of detail and drama.

His images can be seen in advertisements, books, magazines and calendars from a diverse clientele that includes Audubon, National Geographic, Sierra Club, Random House, and Sunset. And his fine art prints are held in select private and corporate collections worldwide.

View Post

Patagonia Bound

In Equipment & Technique by Tom Bol

Some Landscapes Capture Your Heart and Soul “Is that what I think it is?” I ask my wife, Cree, as we paddle up to the shell midden in the remote Isla Chonos of southern Chile. “No way! How could it survive all these years just laying on the beach?” I ponder as we get closer to shore. We had been paddling for nearly two months exploring these remote fjords. I have slowly become amazed, awed and obsessed by this landscape.  …

View Post

Tom Bol

In by Tom Bol

“Simply put, Singh-Ray filters allow me to create images I couldn’t do without them. These filters have resulted in some of my best landscape images. I love using the 10- and 15-stop Mor-Slo ND filters to stretch out clouds and enhance motion.”

View Post

Darwin Wiggett

In by Darwin Wiggett

“Filters are essential for my creative landscape photography and Singh-Ray filters have served me well for two decades, helping me make more expressive images with both film and digital cameras.”

View Post

Creeks and Waterfalls Captured all in Camera

In Equipment & Technique, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features by Randall J. Hodges

I love shooting creek and waterfalls. I love hiking along creeks and rivers listening to the magical sounds of the flowing waters as they drown out the rest of the world leaving me in the moment along the beautiful forest trails of the Pacific Northwest. I do most of this type of shooting in the spring or fall, and I prefer overcast skies for balanced light, giving me awesome colors and crisp white waters. My second choice would be shade …

View Post

Photographing Wildlife with Filters

In Equipment & Technique, Polarizing Filters, Scenes & Scenarios, UV Filters, Wildlife by Vinny Colucci

I have a large selection of various Singh-Ray filters.  Filters, to me, are about controlling light. When we think of using filters, most of us are thinking landscape photography. It just so happens that controlling light with filters is equally important when photographing wildlife. I use two filters when photographing wildlife: the Singh-Ray Polarizing Filter and the Hi-Lux Filter. Both have their value in different situations and both are necessary to optimize the image quality. There are two types of …

View Post

Vari-N-Trio™ Variable Neutral Density (ND) Filters

In by admin3 Comments

Create exciting motion effects, control glare and reflections, improve color saturation and tonal detail and give colors a bit more punch — all without stacking or changing filters. The color intensifier requires no adjustment. So just compose your shot, adjust focus, turn the polarizing ring to the desired look — and dial in density up to eight stops. It’s that easy!

View Post

Vari-N-Duo™ Variable Neutral Density (ND) Filters

In by admin8 Comments

The Vari-N-Duo is the best variable neutral density filter AND the best warming polarizer in ONE indispensable filter. Create exciting motion effects — and control glare and reflections and improve color saturation and tonal detail — all without stacking or changing filters. Just compose your shot, adjust focus, turn the polarizing ring to the desired look — and dial in density up to eight stops. It’s that easy.

View Post

Vari-ND™ Variable Neutral Density (ND) Filters

In by admin1 Comment

Add a dramatic new look to your work with motion effects and shallow depth of field, even in bright light or when using a flash. Just turn the Vari-ND to control the amount of light passing through your lens, adding between two and eight stops of neutral density with no loss of color fidelity or sharpness.