The Taj Mahal was built in 1631 by Shah Jahan, as a testament to the love he felt for his wife, Mumtaz Mahal who died giving birth to their 14th child, Gauhara Begum. The ivory-white marble mausoleum is built in a combination of Persian and Mughal architecture. The tomb contains both the false sarcophagi in the main chamber, as well as the actual tombs of Mumtaz Hahal and Shah Jahan, which are in a lower level of the building. The …
For stronger foregrounds, try taking a bugâs eye view!
Editor’s note: Don’s technique for capturing and processing this image is also a great way to solve the challenge of combining a very long exposure for one element of a scene with the need for a faster exposure to avoid motion in another part of the scene. Sony a7RII, Sony/Zeiss FE 16-35mm, f/16, 8.5 minute exposure (separate exposure on foreground â explained below), 100 ISO, Singh-Ray 15-stop Mor-Slo solid neutral density filter. Back in my college days at San Jose …
Tips for using your Mor-Slo⢠5-stop solid neutral density filter
Editor’s note: This post is a little different from our regular feature articles by leading photographers using Singh-Ray filters. Instead, it is a response to numerous inquiries we’ve received for tips on using solid neutral density filters, arguably one of today’s most popular creative tools for photographers. Singh-Ray pioneered the development of these filters and now offers a choice of 5-, 10-, 15- and 20-stops. We’re often asked, “Which should I have in my bag?” but that clearly depends on …
âAll in camera, old school photographyâ with digital, part 2
This is the second article in my âAll in Cameraâ series for the Singh-Ray blog. Today, I’d like to highlight the need to control white balance during image capture and discuss a valuable in-camera tool you might not currently be using that can help you with this – what I call the âDigital Rolls of Filmâ settings available in most DSLR cameras (“Picture Control” in the menu of Nikon DSLRs and “Picture Style” in Canon DSLRs). Letâs start with this …
Where to next… and what should I bring?
For me, a lot of the fun of photography is picking which new area I want to go photograph. Iâm spinning a virtual globe and searching for the next spot. Once I find that location, the real work begins looking for the spots Iâll visit when I arrive. A lot of that process is done prior to ever stepping off the airplane and actually seeing the place with my own eyes. Searching images, trail reviews and looking over Google Earth …
The long exposure as a creative tool
As a professional photographer, Iâm always exploring creative techniques and how they can be used to create impact in my images. One of my favorite techniques is to use a long exposure to deliberately convey motion by creating a distinct contrast between moving and static elements in a scene. As exposure time lengthens, moving objects are transformed from sharp, static subjects into soft, blurred ones. If you can identify the movement patterns and direction of dynamic elements in your scene, …
Photoshop and six tools⌠with a video demonstration
Editorâs note: We are huge admirers of Coleâs work and have always wondered how he processed his memorable B&W images. Here Cole describes his process â and illustrates it with the video included in this article. Cole uses the Singh-Ray Vari-ND variable neutral density filter and our Mor-Slo 5-, 10-, 15- and 20-stop solid neutral density filters to help create many of his images. A friend and I were recently discussing how I process my images. I was trying to …
5 reasons why you should be using a circular polarizing filter
The sun sets through fog as seen from Fremont Peak State Park, San Benito County, California (Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/10th, ISO 100, Singh-Ray Neutral Polarizer) If you are serious about your landscape photography, there is one filter that should be on each lens in your bag â a polarizer! Why? Well, that is what I will discuss in this article. But first you need to understand that the one filter that cannot be re-created in post-processing is …
My 3-stop reverse graduated ND filter. An essential tool for shooting sunsets.
Typical graduated filters are darkest at one end, and gradually lighten up along the length of the filter. These are essential for any landscape photographer’s kit, and are commonly used when the sun is above the frame, for instance in the late afternoon. They help balance the exposure of a bright sky and a darker foreground scene. The problem with this filter when photographing sunsets, is that the frame is typically brightest towards the middle, or top third, of the frame, meaning …
Photographing moving water
Moving water â waterfalls, rivers, streams and surf â often presents unique challenges to the landscape photographer. The most common way to capture images of moving water is to use a slower shutter speed. But how slow should the shutter speed be? The answer largely depends on the effect you are looking for in the final image. I normally divide my approach to shooting moving water into these three desired effects: Silky Milky Textural The silky effect is generally a …