View Post

Tips for using your Mor-Slo™ 10-stop solid neutral density filter

In Black & White, Equipment & Technique, ND Filters by Singh-Ray Staff

Editor’s note: This post is the second in a series on using solid neutral density filters, arguably one of today’s most popular creative tools for photographers. Singh-Ray pioneered the development of these filters and now offers a choice of  5-, 10-, 15- and 20-stop Mor-Slo filters. We’re often asked, “Which lens filter should I have in my bag?” but that clearly depends on the types of effects/images you are looking for, the time of day and the lighting conditions. You …

View Post

Tips for using your Mor-Slo™ 5-stop solid neutral density filter

In Corporate/Commercial, Equipment & Technique, ND Filters by Singh-Ray Staff

Editor’s note: This post is a little different from our regular feature articles by leading photographers using Singh-Ray filters. Instead, it is a response to numerous inquiries we’ve received for tips on using solid neutral density filters, arguably one of today’s most popular creative tools for photographers. Singh-Ray pioneered the development of these filters and now offers a choice of  5-, 10-, 15- and 20-stops. We’re often asked, “Which should I have in my bag?” but that clearly depends on …

View Post

“All in camera, old school photography” with digital, part 2

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Randall J. Hodges

This is the second article in my “All in Camera” series for the Singh-Ray blog. Today, I’d like to highlight the need to control white balance during image capture and discuss a valuable in-camera tool you might not currently be using that can help you with this – what I call the “Digital Rolls of Film” settings available in most DSLR cameras (“Picture Control” in the menu of Nikon DSLRs and “Picture Style” in Canon DSLRs). Let’s start with this …

Where to next… and what should I bring?

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brian Rueb

For me, a lot of the fun of photography is picking which new area I want to go photograph. I’m spinning a virtual globe and searching for the next spot. Once I find that location, the real work begins looking for the spots I’ll visit when I arrive. A lot of that process is done prior to ever stepping off the airplane and actually seeing the place with my own eyes. Searching images, trail reviews and looking over Google Earth …

View Post

The long exposure as a creative tool

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Jason Odell

As a professional photographer, I’m always exploring creative techniques and how they can be used to create impact in my images. One of my favorite techniques is to use a long exposure to deliberately convey motion by creating a distinct contrast between moving and static elements in a scene. As exposure time lengthens, moving objects are transformed from sharp, static subjects into soft, blurred ones. If you can identify the movement patterns and direction of dynamic elements in your scene, …

View Post

Photoshop and six tools… with a video demonstration

In Black & White, Equipment & Technique, Landscapes, ND Filters, Post-Processing, Scenes & Scenarios by Cole Thompson

Editor’s note: We are huge admirers of Cole’s work and have always wondered how he processed his memorable B&W images. Here Cole describes his process – and illustrates it with the video included in this article. Cole uses the Singh-Ray Vari-ND variable neutral density filter and our Mor-Slo 5-, 10-, 15- and 20-stop solid neutral density filters to help create many of his images. A friend and I were recently discussing how I process my images. I was trying to …

View Post

My 3-stop reverse graduated ND filter. An essential tool for shooting sunsets.

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Brady Cabe

Typical graduated filters are darkest at one end, and gradually lighten up along the length of the filter. These are essential for any landscape photographer’s kit, and are commonly used when the sun is above the frame, for instance in the late afternoon. They help balance the exposure of a bright sky and a darker foreground scene. The problem with this filter when photographing sunsets, is that the frame is typically brightest towards the middle, or top third, of the frame, meaning …

View Post

Photographing moving water

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features, Wildlife by Robert Clark

Moving water – waterfalls, rivers, streams and surf – often presents unique challenges to the landscape photographer. The most common way to capture images of moving water is to use a slower shutter speed. But how slow should the shutter speed be? The answer largely depends on the effect you are looking for in the final image. I normally divide my approach to shooting moving water into these three desired effects: Silky Milky Textural The silky effect is generally a …

View Post

“All-in-camera, old school photography” with digital cameras, Part 1

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Randall J. Hodges

“To Photoshop” or “not to Photoshop,” that is the question. Well, not really, but for an all-in-camera professional like myself, there really is no choice. I believe there is absolutely nothing wrong with Photoshop, Lightroom or any other post-processing techniques used to create images, as this is the accepted norm these days. In fact, I’m a fan of many professionals out there who post process their images and produce outstanding images using their post processing tools. I believe each individual …

View Post

New creative interpretations with slower exposure times

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Ellen Anon

As the digital era has evolved and cameras are ubiquitous, there are more and more images of literally everything, to the point that sometimes people wonder if it’s possible to make a photograph that’s original. One of the reasons that I enjoy using Singh-Ray filters, such as the Mor-Slos and the Vari-ND is that I can transform what I see in front of me into my interpretation of it, rather than just a documentary-style image, while maintaining the highest possible …