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Two Must-have Filters for Traveling Photographers

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, UV Filters, Water Features by Jay Dickman

Travel is becoming harder these days, especially for the globe-trotting photographer.  Packed planes, clients that want you to fly coach, lessening overhead space in addition to many airlines charging for what was once a given on flights, that space over your seat in which to place your gear. Over the past years, I’ve been working on reducing my “footprint” of gear, you can read my blog piece, “Traveling Light” to further explore that idea of minimizing to maximize. Having said …

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Creeks and Waterfalls Captured all in Camera

In Equipment & Technique, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features by Randall J. Hodges

I love shooting creek and waterfalls. I love hiking along creeks and rivers listening to the magical sounds of the flowing waters as they drown out the rest of the world leaving me in the moment along the beautiful forest trails of the Pacific Northwest. I do most of this type of shooting in the spring or fall, and I prefer overcast skies for balanced light, giving me awesome colors and crisp white waters. My second choice would be shade …

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The Story Behind “Melting Giants”

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Cole Thompson

I was photographing in Nova Scotia when someone told me that Newfoundland to the north had icebergs. I have always been fascinated with icebergs (I think most people are) and so I decided that my next trip would be hunting icebergs in Newfoundland. I say “hunt” because I was warned that icebergs were unpredictable and inconsistent. One year you may see many and the next year…none. You just have to go and hope that you’ll be lucky. I prepare for each …

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The “Five-Stop Effect”

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Tom Bol

If you have thumbed through the pages of a photo magazine recently, chances are good you have seen the stunning effects created by ND filters. My palms start sweating when I see puffy clouds streaking across the sky. I know these clouds will look magical when I shoot at slow shutter speeds from 1-4 minutes using my 10- and 15-stop Singh-Ray Mor-Slo ND filters. Honestly, I look at clouds differently now knowing what transformative effects I can create using these filters. …

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Photographing moving water

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features, Wildlife by Robert Clark

Moving water – waterfalls, rivers, streams and surf – often presents unique challenges to the landscape photographer. The most common way to capture images of moving water is to use a slower shutter speed. But how slow should the shutter speed be? The answer largely depends on the effect you are looking for in the final image. I normally divide my approach to shooting moving water into these three desired effects: Silky Milky Textural The silky effect is generally a …

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New creative interpretations with slower exposure times

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Ellen Anon

As the digital era has evolved and cameras are ubiquitous, there are more and more images of literally everything, to the point that sometimes people wonder if it’s possible to make a photograph that’s original. One of the reasons that I enjoy using Singh-Ray filters, such as the Mor-Slos and the Vari-ND is that I can transform what I see in front of me into my interpretation of it, rather than just a documentary-style image, while maintaining the highest possible …

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“Cleanse your palette” Another approach to using solid neutral density filters

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Chuck Kimmerle

Solid neutral density filters – I use Singh-Ray Mor-Slo and George Lepp solid ND filters – have become increasingly popular the past few years. Their ability to increase exposure times from 1-stop to 20-stops (2x to, amazingly, more than 1,000,000x) helps to emphasize motion, thus adding a soft and ephemeral feel to moving elements such as waterfalls and clouds. However, there is another use for these filters beyond emphasizing motion, and that is to hide it. To soften detail. To …

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Get into the flow… using filters for dramatic waterfall photography

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Robert Clark

Editor’s note: Robert Clark is a master of waterfall photography. He is a graphic designer, architect, landscape photographer and teacher – and works as a media designer, manager and frequent photographer for the National Park Service. This post is loaded with Bob’s great waterfall shots and tips! Waterfall photography is a very popular among landscape photographers. Of all the landscape images I make, I find that shooting waterfalls remains my favorite in terms of subject matter. Capturing the very real …

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Singh-Ray filters: Essential tools for preserving photographic integrity

In Corporate/Commercial, Equipment & Technique, ND Filters, Scenes & Scenarios by Richard Thompson

Editor’s note: Singh-Ray shooter Richard Thompson recently published his first hardcover book, “Visions of Michigan,” featuring his outstanding photography in Michigan’s upper and lower peninsulas, accomplished using Singh-Ray filters. To find out more about his book or order a copy, visit Richard’s website. When I’m on the road traveling, I always give special consideration to my surroundings and try to be attentive to circumstances that will best portray the places I’ve come to photograph. With outdoor photography, it’s ephemeral moments …

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Tony Sweet demonstrates the use of three Singh-Ray filters he describes as essential to his art

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Tony Sweet

In a time when many photographers believe that hardware filters are passé, there are still three types of filters that I use as often as I did back when I was a film photographer: the solid neutral density filter, the infrared filter (used on my unconverted cameras), and the always important graduated ‘split’ neutral density filters. Let’s start with the Solid Neutral Density filter I’m now using. It’s the new 10-Stop Mor-Slo ND filter from Singh-Ray. Extremely long exposures cannot …