I photograph a lot of landscapes, and many times filters will transform the shot into something special. I’ve always tried to create my work in the field, not later in post-production, camera craft is very important to me. I just returned from photographing in Sedona for a week, and filters were invaluable there. I was teaching a workshop with my wife, we had a great group, and filter use became a popular topic in the field. During class I mentioned …
The Reverse Graduated ND Filter
Back in the days of film getting the right exposure in the field was a critical step, especially scenes where the dynamic range was greater than the contrast range of film. Scenes such as sunrise and sunset posed a challenge until Singh Ray and the late Galen Rowell pioneered Graduated Neutral Density Filters. These filters allowed photographers to control the dynamic range in a scene by selecting an appropriate filter density for the situation at hand. A Graduated Neutral Density Filter is darkest at the top of the filter, gradually fades toward the middle, with the bottom half …
Go With The Flow
(Singh-Ray LB Color Combo) Wildflower abstract, Tehachapi Mountains, Angeles National Forest, California Previsualization is an often used term in landscape photography – the process of researching a location, determining the perspective through lens selection, framing, and forming a solid image in your mind’s eye before ever arriving at a scene or tripping the shutter. Ansel Adams referred to it often as “the ability to anticipate a finished image before making the exposure”, and it was a favorite expression of other …
Defining your Infrared Photographic Vision
First of all, finding my own photographic style was one of the most challenging things I have done in my photography career. Secondly, it has changed and morphed as I have aged and become more deliberate in how I capture my images. I have also heard people using photographic style, photographic vision and photographic message synonymously in conversations. In my opinion, they are different, but yet dependent upon one another. My photographic vision depends upon the message I want to …
What is Infrared Photography – in a nutshell
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View PostThe Randall J Hodges Mountain View Filter
View PostRe-Imagining an Often Shot Location
Valley View, Merced River and Bridalveil Fall, Yosemite Valley, Yosemite National Park, California. Sony a7RIII, Sony 24-105mm, f/16, 30 sec., ISO 100, Singh-Ray Vari-N-Trio Recently in past weeks, good friends Ron Modra and his wife MB came out to California for a visit. On Wednesday, I drove them to Yosemite National Parkand met up with another good friend/photographer Gary Hart. Fortunately for us, Glacier Point Road had just opened. We were treated to a thunderstorm sky and had a great …
Colorado Fall Color Road Trip
Fall is one of my favorite times in Colorado. The temperature cools down, fresh snow coats the mountain peaks, and yellow stands of aspens line the mountain valleys. Right now, I am in the middle of a fall roadtrip photographing some of my favorite locations in Colorado. Fall color is spectacular this year. Not only are the aspens vibrant, but the scrub oak is flaming red and orange. Whenever I head into the field, I always bring my Singh-Ray filters …
Mastering the Art of Composition
Here a just a few brief tips for mastering the art of composition. Composition is the logical arrangement of elements so that their relationship is pleasing to the eye. The elements are things that make up the scene (e.g. lines, shapes, texture, patterns, colors, tones, light, etc.). Let’s be honest, some people seem to have an easier time with composition. They appear to be born with an artistic eye or, should I say, an inner vision. The rest of us …
Trip report: bad weather is good weather!
Recently I was leading a workshop for American Nature Photography Workshops in Arches National Park, and once again I was reminded of a photography truth; bad weather is good weather. Sure, it’s no fun when the forecast goes south after you have been planning your photography excursion for months. But the real question is what will you do with it? I think of bad weather as a unique opportunity to create original images. Especially if you have the tools to …
Black & white photography… it’s more than just color photography minus the color
Bay Bridge, San Francisco. Canon 5D MkIII, Canon 24-70mm @24mm, ISO100, f/16, Singh Ray Gold-N-Blue polarizer and Singh Ray 10 stop Mor Slo solid ND, WB 7600, 92 seconds All joking aside, I believe black & white photography is making a resurgence, with the development of better digital files and advanced software. But don’t expect an “Auto Awesome B&W” button in Lightroom or Photoshop any time soon! Color in a photograph is its own subject and the absence of color …
Along the Blue Ridge Parkway
Editor’s note: Nye Simmons is a long-time Singh-Ray friend and author of Best of the Blue Ridge Parkway, written with Nye’s photographer’s eyes, with photographers in mind. This handy paperback tells you everything you need to know to help plan a visit and make the most of your time. And Nye is the photographer for Blue Ridge Parkway Celebration, a coffee table book of images, poetry and prose, illustrating the many photo possibilities along the Parkway’s 469 miles. It had …
More than just a camera
Editor’s note: We’re pleased to welcome Mark Lissik, a longtime Singh-Ray shooter and acclaimed photographer and workshop leader, to our team. Be sure to take a look at his new pro gallery page on this site. No matter what your photographic abilities the challenge of keeping your creative level at its peak can be daunting and one I face every time I pick up a camera. It is all too easy to fall into a creativity rut where we tend …
Photographing the Yosemite, Part 2: Summer in the High Country
In the summer months at the Yosemite, it’s the high country for me. And you don’t need to get far into the wilderness to experience it. David Brower’s ice cream cone scenario often comes to mind as we leave Tuolumne Meadows on route to the Yosemite high camps beyond. The camps were built in the 1920’s mostly and remain one of my favorite locations for many reasons. There are six of them and they are some six to ten miles …
A bunch of little things add up to better images
A few years ago I was leading a workshop in Zion National Park when one of the attendees asked a question that really got me thinking. The question was “What one thing can an amateur like myself do, to get results like you?” Initially I was kind of surprised and yet upon reflection I wasn’t at all. We live in a world where we seek the quick fix, the magic ingredient, the shortcut. But on closer inspection we realize, there …
Get into the flow… using filters for dramatic waterfall photography
Editor’s note: Robert Clark is a master of waterfall photography. He is a graphic designer, architect, landscape photographer and teacher – and works as a media designer, manager and frequent photographer for the National Park Service. This post is loaded with Bob’s great waterfall shots and tips! Waterfall photography is a very popular among landscape photographers. Of all the landscape images I make, I find that shooting waterfalls remains my favorite in terms of subject matter. Capturing the very real …
Same location… close to home… different looks
I love travel photography, but I am equally motivated to shoot at locations just down the road. I am fortunate to live in a beautiful country, Switzerland, but I believe there are great photo subjects all around you, no matter where you are. I took the following three images at a favorite location, not far from my home in Switzerland. Although they were taken not too far apart, I think they illustrate some of the many faces of winter in …
Oregon – Five “Before” and “After” Long Exposure Images
Editor’s note: We’ve been huge fans of Cole’s tremendous black & white work for years – and have often wondered what his images looked like out of the camera, before he applied his unique conversion and processing vision. So we were delighted when Cole sent us this post. I’ve had a number of people ask if I’d do some more “before” and “after” shots. So here are five from my recent Oregon trip. All are long exposures created with my …
Thinking outside the box: photographing lightning with solid ND filters
Lightning storms capture the attention of just about everyone. Bolts catapulted through the sky are spectacular to view and dangerous to be too close to. While most prefer to view grand shows of lightning from the safety of their abodes, some of us chase the radar in pursuit of the perfect scene against the perfect storm. Though lightning contrasts dramatically against the night time sky, my preference is the appearance of lightning at dusk. The lightning becomes a part of the …
The Story Behind “Melting Giants”
I was photographing in Nova Scotia when someone told me that Newfoundland to the north had icebergs. I have always been fascinated with icebergs (I think most people are) and so I decided that my next trip would be hunting icebergs in Newfoundland. I say “hunt” because I was warned that icebergs were unpredictable and inconsistent. One year you may see many and the next year…none. You just have to go and hope that you’ll be lucky. I prepare for each …
The “Five-Stop Effect”
If you have thumbed through the pages of a photo magazine recently, chances are good you have seen the stunning effects created by ND filters. My palms start sweating when I see puffy clouds streaking across the sky. I know these clouds will look magical when I shoot at slow shutter speeds from 1-4 minutes using my 10- and 15-stop Singh-Ray Mor-Slo ND filters. Honestly, I look at clouds differently now knowing what transformative effects I can create using these filters. …
Using the reverse graduated neutral density filter
I’m a firm believer that if you do as much as possible in the camera when you capture an image, it will lead to the best image. Even if we love post-processing work, getting the best exposure on an image allows us to use our software as a creative tool – not a “fix-it” tool. That’s why I carry a complete selection of Singh-Ray filters for the types of shooting I do. Different filters help me in various tough lighting …
Using Mor-Slo Solid ND Filters
As a professional photographer, I came from the film days. We had to control as much of our creative vision as possible in the camera. Whether it was exposure, depth of field or motion, we did all of that through our cameras. In most cases, we used external filters to help us control the environment in which we photographed. Now, in the age of digital, we find we have tons of control once we hit the computer and software. Does …
“All-in-camera, old school photography” with digital cameras, Part 3
In this third installment, I’d like to drill down further into the “Digital Rolls of Film” process that I rely on, show you a few images and explain the filters and settings I used to create each image entirely in the camera – with less than one minute each of post-processing time! Silver Falls in Golden and Silver Falls State Natural Area in Oregon. F/22 @ 1 sec. -1 stop Exposure Compensation, ISO 50, 67mm with Singh-Ray LB Circular Warming Polarizer. …
Some tips and techniques from the “Last Frontier”
Editor’s note: We are pleased to welcome Jeff Schultz to our blog. Jeff has lived in Alaska for close to 40 years and conducts workshops and custom tours to many of his favorite locations throughout the state. Canon 5D Mark III with 16-35mm f4 lens at 19mm, f9 for 4 minutes ISO 400. Singh-Ray Mor-Slo 10-stop ND Filter and 3-stop, Hard-edge Galen Rowell ND Grad. Filter It! Being an old-school film photographer, I’ve always maintained that making the image the best I …
Capturing the image you envision
Photographers now have more powerful tools available to them than ever before. Exciting new sensor technologies already up to 50+ megapixels. Lenses that can resolve the finest detail. Huge advances in the digital darkroom, such as the ability to easily blend multiple images using luminosity masks. With all these advances, where do filters fit in? In my photo tours and workshops I often hear “I can do that later in Photoshop.” Photoshop is certainly a powerful tool, but it can’t …
Capturing a special moment at the Taj Mahal
The Taj Mahal was built in 1631 by Shah Jahan, as a testament to the love he felt for his wife, Mumtaz Mahal who died giving birth to their 14th child, Gauhara Begum. The ivory-white marble mausoleum is built in a combination of Persian and Mughal architecture. The tomb contains both the false sarcophagi in the main chamber, as well as the actual tombs of Mumtaz Hahal and Shah Jahan, which are in a lower level of the building. The …
For stronger foregrounds, try taking a bug’s eye view!
Editor’s note: Don’s technique for capturing and processing this image is also a great way to solve the challenge of combining a very long exposure for one element of a scene with the need for a faster exposure to avoid motion in another part of the scene. Sony a7RII, Sony/Zeiss FE 16-35mm, f/16, 8.5 minute exposure (separate exposure on foreground – explained below), 100 ISO, Singh-Ray 15-stop Mor-Slo solid neutral density filter. Back in my college days at San Jose …
Random thoughts….
Ramblings from the White Mountains Just wrapped up a photography/camping trip to the White Mountains of New Hampshire – and spent a lot of time roaming the White Mountains in exploration of the abundant photo opportunities. They are spread out, but so are many of the iconic areas, so this was nothing new to us. There were numerous waterfalls in the area and, if you head down to the Lakes Region, you’ll find countless lakes and reflections. I have two …
“All-in-camera, old school photography” with digital cameras, Part 3
In this third installment, I’d like to drill down further into the “Digital Rolls of Film” process that I rely on, show you a few images and explain the filters and settings I used to create each image entirely in the camera – with less than one minute each of post-processing time! Silver Falls in Golden and Silver Falls State Natural Area in Oregon. F/22 @ 1 sec. -1 stop Exposure Compensation, ISO 50, 67mm with Singh-Ray LB Circular Warming Polarizer. …
Some tips and techniques from the “Last Frontier”
Editor’s note: We are pleased to welcome Jeff Schultz to our blog. Jeff has lived in Alaska for close to 40 years and conducts workshops and custom tours to many of his favorite locations throughout the state. Canon 5D Mark III with 16-35mm f4 lens at 19mm, f9 for 4 minutes ISO 400. Singh-Ray Mor-Slo 10-stop ND Filter and 3-stop, Hard-edge Galen Rowell ND Grad. Filter It! Being an old-school film photographer, I’ve always maintained that making the image the best I …
Polarizers, how they work, when and how to use them…
Editor’s note: This is an updated article on polarization that E.J. originally wrote for the Singh-Ray blog several years ago. The spring and summer are definitely times you want to have your polarizer with you, so we thought this might be helpful. Polarizing filters are one of the most misunderstood areas of photography that I encounter while teaching and moderating online technical forums on photography. It seems that only flash photography is more misunderstood in my classes and workshops. There …
Tips For Better Wildflower Images – Part 2
Tip #6 – Auto ISO Most new digital cameras are now offering Auto ISO. I find, when photographing wildflowers and fighting a relentless breeze, that this feature can save the day and really allow me to concentrate on my composition. I first tried this feature last March in the hills of southern Washington. I was working on a sunset shoot with some Balsamroot and Lupine. I had envisioned catching a sun star as the sun lowered on a nearby hill. …
Tips For Better Wildflower Images – Part 1
Editor’s note: It’s flower time in many parts of the world now, so we thought these tips from Don Smith might be helpful – here is part one. Don’s essential tools for shooting wildflowers include his Singh-Ray warming and neutral polarizers. Many photographers also choose our ColorCombo Polarizer for flowers. One way or the other, a polarizer is a must-have creative tool for this type of photography. Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/30th ISO 800. Spring is in full bloom and …
Capturing a special moment at the Taj Mahal
The Taj Mahal was built in 1631 by Shah Jahan, as a testament to the love he felt for his wife, Mumtaz Mahal who died giving birth to their 14th child, Gauhara Begum. The ivory-white marble mausoleum is built in a combination of Persian and Mughal architecture. The tomb contains both the false sarcophagi in the main chamber, as well as the actual tombs of Mumtaz Hahal and Shah Jahan, which are in a lower level of the building. The …
5 reasons why you should be using a circular polarizing filter
The sun sets through fog as seen from Fremont Peak State Park, San Benito County, California (Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/10th, ISO 100, Singh-Ray Neutral Polarizer) If you are serious about your landscape photography, there is one filter that should be on each lens in your bag – a polarizer! Why? Well, that is what I will discuss in this article. But first you need to understand that the one filter that cannot be re-created in post-processing is …
Photographing moving water
Moving water – waterfalls, rivers, streams and surf – often presents unique challenges to the landscape photographer. The most common way to capture images of moving water is to use a slower shutter speed. But how slow should the shutter speed be? The answer largely depends on the effect you are looking for in the final image. I normally divide my approach to shooting moving water into these three desired effects: Silky Milky Textural The silky effect is generally a …
Mastering the Art of Composition
Here a just a few brief tips for mastering the art of composition. Composition is the logical arrangement of elements so that their relationship is pleasing to the eye. The elements are things that make up the scene (e.g. lines, shapes, texture, patterns, colors, tones, light, etc.). Let’s be honest, some people seem to have an easier time with composition. They appear to be born with an artistic eye or, should I say, an inner vision. The rest of us …
Capturing a special moment at the Taj Mahal
The Taj Mahal was built in 1631 by Shah Jahan, as a testament to the love he felt for his wife, Mumtaz Mahal who died giving birth to their 14th child, Gauhara Begum. The ivory-white marble mausoleum is built in a combination of Persian and Mughal architecture. The tomb contains both the false sarcophagi in the main chamber, as well as the actual tombs of Mumtaz Hahal and Shah Jahan, which are in a lower level of the building. The …
For stronger foregrounds, try taking a bug’s eye view!
Editor’s note: Don’s technique for capturing and processing this image is also a great way to solve the challenge of combining a very long exposure for one element of a scene with the need for a faster exposure to avoid motion in another part of the scene. Sony a7RII, Sony/Zeiss FE 16-35mm, f/16, 8.5 minute exposure (separate exposure on foreground – explained below), 100 ISO, Singh-Ray 15-stop Mor-Slo solid neutral density filter. Back in my college days at San Jose …
Tips for using your Mor-Slo™ 5-stop solid neutral density filter
Editor’s note: This post is a little different from our regular feature articles by leading photographers using Singh-Ray filters. Instead, it is a response to numerous inquiries we’ve received for tips on using solid neutral density filters, arguably one of today’s most popular creative tools for photographers. Singh-Ray pioneered the development of these filters and now offers a choice of 5-, 10-, 15- and 20-stops. We’re often asked, “Which should I have in my bag?” but that clearly depends on …
“All in camera, old school photography” with digital, part 2
This is the second article in my “All in Camera” series for the Singh-Ray blog. Today, I’d like to highlight the need to control white balance during image capture and discuss a valuable in-camera tool you might not currently be using that can help you with this – what I call the “Digital Rolls of Film” settings available in most DSLR cameras (“Picture Control” in the menu of Nikon DSLRs and “Picture Style” in Canon DSLRs). Let’s start with this …
Where to next… and what should I bring?
For me, a lot of the fun of photography is picking which new area I want to go photograph. I’m spinning a virtual globe and searching for the next spot. Once I find that location, the real work begins looking for the spots I’ll visit when I arrive. A lot of that process is done prior to ever stepping off the airplane and actually seeing the place with my own eyes. Searching images, trail reviews and looking over Google Earth …
The long exposure as a creative tool
As a professional photographer, I’m always exploring creative techniques and how they can be used to create impact in my images. One of my favorite techniques is to use a long exposure to deliberately convey motion by creating a distinct contrast between moving and static elements in a scene. As exposure time lengthens, moving objects are transformed from sharp, static subjects into soft, blurred ones. If you can identify the movement patterns and direction of dynamic elements in your scene, …
Photoshop and six tools… with a video demonstration
Editor’s note: We are huge admirers of Cole’s work and have always wondered how he processed his memorable B&W images. Here Cole describes his process – and illustrates it with the video included in this article. Cole uses the Singh-Ray Vari-ND variable neutral density filter and our Mor-Slo 5-, 10-, 15- and 20-stop solid neutral density filters to help create many of his images. A friend and I were recently discussing how I process my images. I was trying to …
5 reasons why you should be using a circular polarizing filter
The sun sets through fog as seen from Fremont Peak State Park, San Benito County, California (Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/10th, ISO 100, Singh-Ray Neutral Polarizer) If you are serious about your landscape photography, there is one filter that should be on each lens in your bag – a polarizer! Why? Well, that is what I will discuss in this article. But first you need to understand that the one filter that cannot be re-created in post-processing is …
My 3-stop reverse graduated ND filter. An essential tool for shooting sunsets.
Typical graduated filters are darkest at one end, and gradually lighten up along the length of the filter. These are essential for any landscape photographer’s kit, and are commonly used when the sun is above the frame, for instance in the late afternoon. They help balance the exposure of a bright sky and a darker foreground scene. The problem with this filter when photographing sunsets, is that the frame is typically brightest towards the middle, or top third, of the frame, meaning …
Photographing moving water
Moving water – waterfalls, rivers, streams and surf – often presents unique challenges to the landscape photographer. The most common way to capture images of moving water is to use a slower shutter speed. But how slow should the shutter speed be? The answer largely depends on the effect you are looking for in the final image. I normally divide my approach to shooting moving water into these three desired effects: Silky Milky Textural The silky effect is generally a …