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“All-in-camera, old school photography” with digital cameras, Part 1

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Randall J. Hodges

“To Photoshop” or “not to Photoshop,” that is the question. Well, not really, but for an all-in-camera professional like myself, there really is no choice. I believe there is absolutely nothing wrong with Photoshop, Lightroom or any other post-processing techniques used to create images, as this is the accepted norm these days. In fact, I’m a fan of many professionals out there who post process their images and produce outstanding images using their post processing tools. I believe each individual …

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New creative interpretations with slower exposure times

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Ellen Anon

As the digital era has evolved and cameras are ubiquitous, there are more and more images of literally everything, to the point that sometimes people wonder if it’s possible to make a photograph that’s original. One of the reasons that I enjoy using Singh-Ray filters, such as the Mor-Slos and the Vari-ND is that I can transform what I see in front of me into my interpretation of it, rather than just a documentary-style image, while maintaining the highest possible …

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“Cleanse your palette” Another approach to using solid neutral density filters

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Chuck Kimmerle

Solid neutral density filters – I use Singh-Ray Mor-Slo and George Lepp solid ND filters – have become increasingly popular the past few years. Their ability to increase exposure times from 1-stop to 20-stops (2x to, amazingly, more than 1,000,000x) helps to emphasize motion, thus adding a soft and ephemeral feel to moving elements such as waterfalls and clouds. However, there is another use for these filters beyond emphasizing motion, and that is to hide it. To soften detail. To …

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Pursuing subtle

In Landscapes, Scenes & Scenarios, Wildlife by Mark Lissick

In this age of “in-your-face” visual imagery we have come to be enamored by explosive vibrancy. Images are designed with easily categorized subjects allowing the viewer the ability to quickly digest the visual message and then move on. In the realm of artistic endeavor this is becoming almost formulaic. While some fantastic images are the result, such design structuring can stifle one’s imagination. Creativity does not thrive in a box. Images that limit the viewer’s choices leave little for interpretation …

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What grabs your attention? That’s what your picture should be.

In Scenes & Scenarios, Wildlife by Don Smith

“When Forces Collide,” Big Sur Coast, California, Sony a6000, Tamron SP 150-600mm @900mm, Sony LA-EA4 adapter, f/11, 1/1000th sec., 800 ISO I work with a lot of amateur photographers. There are times we are on location when I get the question, “so what are we shooting here?” Sometimes the answer is rather obvious, but oftentimes it’s not. As an instructor, these are the times I seize to really teach. My first response is to not hand it to them on …

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Mastering the Art of Composition

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Ed Heaton

Here a just a few brief tips for mastering the art of composition. Composition is the logical arrangement of elements so that their relationship is pleasing to the eye.  The elements are things that make up the scene (e.g. lines, shapes, texture, patterns, colors, tones, light, etc.). Let’s be honest, some people seem to have an easier time with composition.  They appear to be born with an artistic eye or, should I say, an inner vision.  The rest of us …

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Trip report: bad weather is good weather!

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Tom Bol

Recently I was leading a workshop for American Nature Photography Workshops in Arches National Park, and once again I was reminded of a photography truth; bad weather is good weather. Sure, it’s no fun when the forecast goes south after you have been planning your photography excursion for months. But the real question is what will you do with it? I think of bad weather as a unique opportunity to create original images. Especially if you have the tools to …

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Black & white photography… it’s more than just color photography minus the color

In Black & White, Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Alec Johnson

Bay Bridge, San Francisco. Canon 5D MkIII, Canon 24-70mm @24mm, ISO100, f/16, Singh Ray Gold-N-Blue polarizer and Singh Ray 10 stop Mor Slo solid ND, WB 7600, 92 seconds All joking aside, I believe black & white photography is making a resurgence, with the development of better digital files and advanced software. But don’t expect an “Auto Awesome B&W” button in Lightroom or Photoshop any time soon! Color in a photograph is its own subject and the absence of color …

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Along the Blue Ridge Parkway

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Nye Simmons

Editor’s note: Nye Simmons is a long-time Singh-Ray friend and author of Best of the Blue Ridge Parkway, written with Nye’s photographer’s eyes, with photographers in mind. This handy paperback tells you everything you need to know to help plan a visit and make the most of your time. And Nye is the photographer for Blue Ridge Parkway Celebration, a coffee table book of images, poetry and prose, illustrating the many photo possibilities along the Parkway’s 469 miles.  It had …

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More than just a camera

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Mark Lissick

Editor’s note: We’re pleased to welcome Mark Lissik, a longtime Singh-Ray shooter and acclaimed photographer and workshop leader, to our team. Be sure to take a look at his new pro gallery page on this site.  No matter what your photographic abilities the challenge of keeping your creative level at its peak can be daunting and one I face every time I pick up a camera. It is all too easy to fall into a creativity rut where we tend …