Singh-Ray’s LB warming polarizer adds a subtle warming factor to our neutral polarizer, improving shadow detail and giving your images a little extra pop. And just like our neutral polarizer, it delivers unmatched optical resolution and color fidelity. Our LB warming polarizer also brings 2/3-stop more light to your viewfinder, making it easier to compose and focus accurately in early morning and late afternoon light.
Prayer, Meditation, and Singh-Ray – Joe Dimaggio
View PostGeorge Lepp Solid Neutral Density (ND) Filters
An economical way to create motion effects with slower shutter speeds and use wider lens apertures to control depth of field, with no loss of color fidelity. These filters are handcrafted with the highest-quality optical resin for outstanding image quality.
Daryl Benson Strip Filters
These filters feature a band of neutral, orange or pink density along the center of the narrow axis, which increases the density of the center of the image and opens up shadow areas, without affecting the color or exposure levels of the upper portion. The rectangular shape allows you to easily position the horizon anywhere in your frame.
Capturing the image you envision
Photographers now have more powerful tools available to them than ever before. Exciting new sensor technologies already up to 50+ megapixels. Lenses that can resolve the finest detail. Huge advances in the digital darkroom, such as the ability to easily blend multiple images using luminosity masks. With all these advances, where do filters fit in? In my photo tours and workshops I often hear “I can do that later in Photoshop.” Photoshop is certainly a powerful tool, but it can’t …
5 reasons why you should be using a circular polarizing filter
The sun sets through fog as seen from Fremont Peak State Park, San Benito County, California (Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/10th, ISO 100, Singh-Ray Neutral Polarizer) If you are serious about your landscape photography, there is one filter that should be on each lens in your bag – a polarizer! Why? Well, that is what I will discuss in this article. But first you need to understand that the one filter that cannot be re-created in post-processing is …
A Letter from Our Team
Time flies when you’re having fun! It’s hard to believe that we at Singh-Ray have been serving you, our friends, for over 50 years. We appreciate your support and loyalty – and look forward to working with you in the years to come. We’ve been honored to work with so many wonderful photographers and videographers, from enthusiastic hobbyists to top pros like Galen Rowell and George Lepp. Movie studios, research labs, airlines, industry, universities, journalists and hundreds of television stations …
Kevin McNeal uses his Mor-Slo 10-Stop ND to create more radiant images during the magic hours
Among the many professional outdoor photographers who have greeted Singh-Ray’s Mor-Slo 10-stop ND filter is Kevin McNeal. It didn’t take him long to try the filter and send us this helpful report on using the filter during the “magic hours” around sunrise and sunset. “For me, one of the most challenging tasks in landscape photography,” says Kevin, “is shooting long exposures during the periods of sunrise and sunset when the sun is brightly visible. Over the years I have gotten …
Finding out that Iceland is a great place to apply the versatility of the Vari-N-Trio and ColorCombo
Now, thanks to our new series of workshops, organized in cooperation with the folks at Focus-on-Nature in Iceland, I have been able to realize that dream. We began our series there last summer and have the next workshop set for July 10-16, 2011. Since there are also a number of other workshops held there throughout the year, I thought it might be helpful to pass along a few general observations and suggestions for those planning to photograph in Iceland. During …
When he travels the world, this photojournalist packs only essentials — including his filters
Born and raised in Belleville, Kansas, veteran travel photojournalist Jim Richardson has covered the world for National Geographic magazines since his first story appeared in 1984. “When I captured this image, our location was 54° 24′ 55.885″N, 9° 5′ 38.520″E. So we were due west of Ballyshannon, Ireland, and the sea had turned to glass.” At the time, Jim was with a group aboard the expedition ship National Geographic Endeavor. “Most of the guests were tucking into breakfast (or still …
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