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Black & white photography… it’s more than just color photography minus the color

In Black & White, Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Alec Johnson

Bay Bridge, San Francisco. Canon 5D MkIII, Canon 24-70mm @24mm, ISO100, f/16, Singh Ray Gold-N-Blue polarizer and Singh Ray 10 stop Mor Slo solid ND, WB 7600, 92 seconds All joking aside, I believe black & white photography is making a resurgence, with the development of better digital files and advanced software. But don’t expect an “Auto Awesome B&W” button in Lightroom or Photoshop any time soon! Color in a photograph is its own subject and the absence of color …

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Photographing the Yosemite, Part 2: Summer in the High Country

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Wildlife by Steve Kossack

In the summer months at the Yosemite, it’s the high country for me. And you don’t need to get far into the wilderness to experience it. David Brower’s ice cream cone scenario often comes to mind as we leave Tuolumne Meadows on route to the Yosemite high camps beyond. The camps were built in the 1920’s mostly and remain one of my favorite locations for many reasons. There are six of them and they are some six to ten miles …

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A bunch of little things add up to better images

In Corporate/Commercial, Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Darrell Moll

A few years ago I was leading a workshop in Zion National Park when one of the attendees asked a question that really got me thinking. The question was “What one thing can an amateur like myself do, to get results like you?” Initially I was kind of surprised and yet upon reflection I wasn’t at all. We live in a world where we seek the quick fix, the magic ingredient, the shortcut. But on closer inspection we realize, there …

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Get into the flow… using filters for dramatic waterfall photography

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Robert Clark

Editor’s note: Robert Clark is a master of waterfall photography. He is a graphic designer, architect, landscape photographer and teacher – and works as a media designer, manager and frequent photographer for the National Park Service. This post is loaded with Bob’s great waterfall shots and tips! Waterfall photography is a very popular among landscape photographers. Of all the landscape images I make, I find that shooting waterfalls remains my favorite in terms of subject matter. Capturing the very real …

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Same location… close to home… different looks

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Thierry Resin

I love travel photography, but I am equally motivated to shoot at locations just down the road. I am fortunate to live in a beautiful country, Switzerland, but I believe there are great photo subjects all around you, no matter where you are. I took the following three images at a favorite location, not far from my home in Switzerland. Although they were taken not too far apart, I think they illustrate some of the many faces of winter in …

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Working Through Visual Puzzles

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don Smith

Maple Leaves on Fallen Redwood, Nisene Marks State Park, California Sony a7R, Sony 70-200mm @ 200mm, f/20, 4 seconds, 100 ISO, Singh-Ray Neutral Polarizer It has been my observation in teaching workshops for the past 10 years that there are two types of photographers: There are those whom I call the “trophy hunters,” they have scoured the internet regarding the area they are photographing and are there to shoot the icons. Then there are those who’ll find their own twist …

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A Resident Artist

In Black & White, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Chuck Kimmerle

Editor’s note: In our humble opinion, Chuck Kimmerle is one of today’s truly outstanding black & white photography artists. Our thanks for this reflection on the residency he just completed in Joshua Tree National Park, along with some of the extraordinary images he created during that time, with a little help from his Singh-Ray Vari-ND, Galen Rowell grads and LB neutral polarizer. Taken with Singh-Ray LB neutral polarizer I was getting a bit apprehensive. It was my second day of …

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My National Geographic Expedition to Iceland, Greenland and the Northwest Passage

In Action Shots, Equipment & Technique, ND Filters, Polarizing Filters, Portraits, Scenes & Scenarios, Wildlife by Jay Dickman

Editor’s note: Longtime Singh-Ray shooter and National Geographic and Pultitzer Prize winning photographer, Jay Dickman, takes us through some wonderful images he shot during an expedition he led this past August. You might be surprised to know that these were all taken with the Olympus E-M1 mirrorless four-thirds camera. And, of course, with Jay’s Singh-Ray Galen Rowell neutral density grads, polarizers, Vari-ND and Color Intensifiers, the latter a filter that rarely comes off his lenses. Keeping up with the mirrorless …

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Realizing my vision, with the help of my filters

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Doug Van Kampen

Editor’s note: Doug is a full-time U.S. Coast Guardsman, which may have something to do with why most of his photos seem to contain water! An avid photographer who spends much of his time at sea serving his country, here he describes his transition from film to digital,  with the help of Singh-Ray filters. We’re pleased to feature Doug’s work. My enduring love for creating photographs began at age 13, in a darkroom with my father. To say the least, …

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Palouse Light

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios, Special Events by John Barclay

It’s hard to explain rationally, but there are some locations for me where the light is just different – with a special quality unique to that area. One place that qualifies is Cape Cod, whose light is described in photos and words in Joel Meyerowitz’s ground-breaking book Cape Light. Another area I’d definitely nominate for the extraordinary quality of its light is the Palouse, an approximately 4,000 square mile area in Northeast Idaho and Southwest Washington, about 30 minutes south …