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Feeling fortunate to photograph the rocky coast of Maine any day of the year

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Fred WeymouthLeave a Comment

Living on the rugged coast of Maine provides a nearly endless coastline dotted with thousands of islands, inlets, and waterways to be explored and photographed in every season of the year. How could any serious outdoor photographer wish for more? But there is plenty more to appreciate about the Maine Coast… like the four distinct seasons we have. Each brings its own weather, its own colors, and its own nature. Winters can be harsh — freezing cold and wet. Spring …

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Enjoying the use of the Vari-N-Trio for shallow-focus imaging in bright daylight

In Equipment & Technique, Landscapes, Scenes & Scenarios by Ryan MarkoLeave a Comment

Photography allows me to get out of the office and into the fresh air. I enjoy photography as a way to capture outdoor images that are simple, yet rich with natural beauty and color. I recently purchased a used Canon 5D along with the 24-70mm f/2.8 Canon zoom lens. I have found that taking good pictures at mid-day when the sun is out in full force is very difficult, especially when I want to use a very shallow depth of …

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Visiting Joshua Tree National Park to commune with the ancient boulders

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Cole ThompsonLeave a Comment

It was the first time I had visited since 1987 when my wife and I went camping there. Coincidentally, our trip occurred right after U2 had introduced their new album “Joshua Tree,” and I remember listening to it non-stop as we sunned ourselves on the large round boulders at the park. The music and that location are positively and indelibly intertwined in my memory. Each time I hear those songs, I am transported back in time. So it was with …

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Relying on Singh-Ray Mor-Slo filters to render ocean landscapes with a timeless calm

In Equipment & Technique, Landscapes, ND Filters, Scenes & Scenarios by Kevin McNealLeave a Comment

We were lucky enough recently to make a trip to the coastline of California and more specifically to the Big Sur region. Anytime I am shooting ocean landscapes, my Singh-Ray filters play a big part in creating the mood I’m shooting for. My current favorite is the 5-Stop Mor-Slo ND filter. My favorite shooting technique for ocean landscapes is to use the 5-stop Mor-Slo to produce very long exposures that dramatically enhance the mood of the image. For example, others …

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Discovering the pleasures of shooting skyscapes

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Mario FazekasLeave a Comment

I have specialized in wildlife photography since 1995 and focused primarily on the ‘big-five’ African animals. Then recently I realized there are so many great landscape photographs yet to be captured everywhere we go. As a result, I bought a polarizer and some ND grads from a popular filter company, but I was never pleased with the results. Seeing some of Darwin Wiggett’s photographs was the turning point for me — I saw that he uses Singh-Ray filters, so I …

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To capture the most dramatic lighting effects at sunrise and sunset, aim right for the sun

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Greg MillerLeave a Comment

This area is my home and my part of the natural world, and I never feel a lack of impressive subjects. Perhaps my favorite subject is the sun itself, especially when I’m shooting at sunrise or sunset. I love to shoot directly at the sun to achieve dramatic lighting effects. I’ve found that two kinds of Singh-Ray filters are essential for such photos — my Galen Rowell ND Grads and my LB Neutral Polarizer. Whenever I’m shooting at the sun …

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Used the same Singh-Ray filter for every image in this story. Can you guess which filter?

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Kevin ThompsonLeave a Comment

Then about 3 years ago my wife started running marathons, and I would tag along to explore each new city and take photos. When I submitted some of my marathon images while applying for credentials, I was asked if I would photograph the entire marathon from a creative point of view. That’s when my travel photography business was born. I covered about 12 marathons this past year and it looks like it will be even more next year. Every marathon …

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Disguised as a wandering landscape photographer to capture New York City

In Action Shots, City/Urban, Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Sean WidkerLeave a Comment

Los Angeles, It was a big sprawling city even in those days. One block looked like the next. I don’t have any photography to speak of from those days because I always felt that nature was elsewhere. I’ve never looked back and, through my photographic travels and workshops, I’ve been treated to some of the most beautiful and scenic locations imaginable. The National and State parks throughout the American West are my home and photographic focus. Nevertheless, I recently had …

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Tracing the Silver Bay landscape image from pre-visualization to post production

In Black & White, Corporate/Commercial, Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Alec JohnsonLeave a Comment

I thought I would offer a basic case study explanation of how this image of Silver Bay was created from the pre-visualization stage to the final post production steps. My basic motivation to create this image was to test an idea that’s reflected in many landscape photographers’ work. I’m referring to the idea that the photographer can control where the eye of a viewer first enters the image and the path that the eye follows while looking at the image. …

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Capturing impressive infrared landscapes with the Nikon D-70 and an I-Ray filter

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, Scenes & Scenarios by Michael JamesLeave a Comment

I became interested in landscape photography in 1997, when I was on Vancouver Island on the west coast of Canada. I was in school learning about infrared film. I had done a bit of work with it, but I was eager to see what it would do in the lush forests of British Columbia. My mother and I traveled to the island for Christmas break and I spent some time shooting photos in various places. Of course, this was infrared film back …